Special offer. Dvorák: Symphony No. 9
Atlanta Symphony Orchestra, Nathalie Stutzmann
[Stutzmann] certainly goes for the heart with much attention given to the symphony’s abundant lyrical elements. Her approach comes at a cost, however, with the strong sense of rhythmic excitement...
Special offer. Dvorák: Symphony No. 9
Atlanta Symphony Orchestra, Nathalie Stutzmann
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[Stutzmann] certainly goes for the heart with much attention given to the symphony’s abundant lyrical elements. Her approach comes at a cost, however, with the strong sense of rhythmic excitement...
About
The first album from Natalie Stutzmann as conductor features Dvořák’s well known Symphony no.9 “From the New World” and the lesser known American Suite.
Stutzmann studied conducting with legendary Finnish teacher Jorma Panula, and benefited from the mentoring of Simon Rattle and the late Seiji Ozawa.
Stutzmann holds two major posts in the USA, Music Director at the Atlanta Symphony Orchestra and Principal Guest Conductor of The Philadelphia Orchestra, has guest engagements with the London Symphony Orchestra, Orchestre de Paris, Orchestre du Capitole de Toulouse and Swedish Radio Symphony Orchestra, and opera at Turin’s Teatro Regio and the Bayreuth Festival….
Simon Rattle told the NY Times: “Nathalie is the real thing. So much love, intensity and sheer technique.”
“To respect the score is to make it alive, and the score lives because of us. The only thing we can do for the score is to dare.” – Natalie Stutzmann
Contents and tracklist
- Atlanta Symphony Orchestra
- Nathalie Stutzmann
- Atlanta Symphony Orchestra
- Nathalie Stutzmann
Spotlight on this release
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Awards and reviews
October 2024
[Stutzmann] certainly goes for the heart with much attention given to the symphony’s abundant lyrical elements. Her approach comes at a cost, however, with the strong sense of rhythmic excitement and clear formal outline that gives the work its compulsive quality taking a back seat.
September 2024
This bold, punchy account of the New World, captured live in a pair of concerts, grips like a great concert performance should. There are thrills (and spills) from a team intent on provoking a response.
The New York Times 26th September 2024
Much of the promise, and some of the peril, of Stutzmann’s taste for subjectivity are on show in her reading of the “New World” Symphony...She draws a full, bold sound from the orchestra, and the volatility with which she uses it guarantees surprises throughout. The highlight is the slow movement, ardent and stretched yet graced with beguiling patience.
