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Mendelssohn

Isata Kanneh-Mason (piano), London Mozart Players, Jonathan Bloxham

Mendelssohn

Awards:

Kanneh-Mason’s seemingly effortless precision of articulation, even at breakneck speed, is nothing short of awe-inspiring.

Mendelssohn

Isata Kanneh-Mason (piano), London Mozart Players, Jonathan Bloxham

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Awards:

Kanneh-Mason’s seemingly effortless precision of articulation, even at breakneck speed, is nothing short of awe-inspiring.

About

‘Mendelssohn’ explores three facets of one of the most famous names in classical music: the glittering Piano Concerto No.1 by Felix with the London Mozart Players; the long-lost ‘Easter Sonata’ by his sister Fanny as well as transcriptions by other composers of Mendelssohn’s most famous music. In 2024, Isata featured in the critically acclaimed film ‘The Other Mendelssohn’, exploring the life of the exceptionally talented by overlooked Fanny Mendelssohn, later Fanny Hensel. In the film, they uncover the fact that the Easter Sonata, a piece lost for 150 years, was in fact written by Fanny, not Felix. Isata was the first artist to perform the work attributed to the correct composer. The album features this world premiere recording of the new urtext edition of Fanny Mendelssohn’s Easter Sonata. As well as beautiful solo piano transcriptions by Liszt (‘On Wings of Song’) and Rachmaninov (‘A Midsummer Night’s Dream’), and two of Felix’s ‘Songs Without Words’ and Fanny’s ‘Nocturne’, also for solo piano.

Contents and tracklist

I. Molto allegro con fuoco
Track length7:11
II. Andante
Track length6:06
III. Presto – Molto allegro e vivace
Track length6:39
Scherzo (Arr. Rachmaninoff for Piano)
Track length4:54
Nocturne (Transcr. Moszkowski for Piano)
Track length4:08
I. Allegro assai moderato
Track length4:46
II. Largo e molto espresso – Poco più mosso
Track length4:38
III. Scherzo. Allegretto
Track length5:42
IV. Allegro con strepito
Track length8:04

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    9th August 2024

October 2024

Kanneh-Mason’s seemingly effortless precision of articulation, even at breakneck speed, is nothing short of awe-inspiring.

9th August 2024

Kanneh-Mason’s playing shows virtuosic fluidity throughout, mostly communicating the music rather than for its own sake. She, and the London Mozart Players under Jonathan Bloxham, bring an appropriately Classical approach to the music with a combination of brilliance, clarity and elegance that utilises the relatively small orchestral forces and the bright voicing of the piano.
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