The singular sound of "Dreamspace" comes from fusing two sonic goals. By using a number of different microphones in various positions and distances, we create a comprehensive perspective on the piano and Michael Mizrahi's dynamic approach to performance, as well as a realistic and life-like final "image" of the piano and Mizrahi's playing. The listener is situated in a specific place in the performance space while simultaneously experiencing sounds that could be heard from a number of listener positions. Bringing those two goals into harmony, aiming for both a multi-perspective and realistic soundworld, is what leads to the sounds you are hearing.