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Max Reger: Melancholy (Vocal Works)

Huelgas-Ensemble (early music ensemble), Jos van Immerseel (piano), Paul Van Nevel

Max Reger: Melancholy (Vocal Works)

Awards:

Clearly while not clinically recorded and thoughtfully annotated, this is no doubt a prime recommendation for those who have hesitated to explore a crucial yet still under-appreciated facet...

Gramophone Magazine, June 2024

More reviews

Max Reger: Melancholy (Vocal Works)

Huelgas-Ensemble (early music ensemble), Jos van Immerseel (piano), Paul Van Nevel

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Awards:

Clearly while not clinically recorded and thoughtfully annotated, this is no doubt a prime recommendation for those who have hesitated to explore a crucial yet still under-appreciated facet...

Gramophone Magazine, June 2024

More reviews

About

  • Release date: 11th Sep 2024
  • Label: Deutsche HM
  • Catalogue number: 19658876252
  • Length: 50 minutes

Contents and tracklist

Reger: Mit Fried und Freud ich fahr dahin, WoO VI / 17, No. 8
Work length3:05
Reger: Es waren zwei Königskinder, WoO VI / 11, No. 8
Work length4:37
Reger: Der Mensch lebt und bestehet nur eine kleine Zeit, Op. 138, No. 1
Work length2:45
Reger: Ich sehe dich in tausend Bildern, Op.105, No. 1
Work length2:26
Reger: Abendgang im Lenz, Op.111b, No. 2
Work length4:15
Reger: Zur Nacht, Op. 6, No. 2
Work length2:17
Reger: O Tod, wie bitter bist du, Op.110, No. 3
Work length8:02
Reger: Das Sternlein, WoO VI / 10, No. 2
Work length2:21
Reger: Lass mich dein sein und bleiben, WoO VI / 20, No. 3
Work length3:04
Reger: Ich hab die Nacht geträumet, WoO VI / 11, No. 4
Work length2:50
Reger: Meine Seele ist still zu Gott, Op.105, No. 2
Work length2:40
Reger: Trost, Op. 6, No. 1
Work length7:52
Reger: Abschiedslied: Was ist es, das so traurig klingt, WoO VI / 27
Work length3:47

Awards and reviews

  • International Classical Music Awards
    2025
    Nominated - Choral
  • Opus Klassik Awards
    2025
    Choral

June 2024

Clearly while not clinically recorded and thoughtfully annotated, this is no doubt a prime recommendation for those who have hesitated to explore a crucial yet still under-appreciated facet of the composer’s output.
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