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Donizetti: L'esule di Roma

Nicola Alaimo (Murena), Albina Shagimuratova (Argelia), Sergey Romanovsky (Settimio), Lluís Calvet i Pey (Publio), André Henriques (Lucio/Flavio), Kezia Bienek (Leontina)

Britten Sinfonia, Carlo Rizzi

Awards:

Rizzi is no Donizetti apologist. Never are the orchestral gestures inflated to make the music seem imposing in the fashion of later composers. Lightness and firm but flexible pulse keep the...

Donizetti: L'esule di Roma

Nicola Alaimo (Murena), Albina Shagimuratova (Argelia), Sergey Romanovsky (Settimio), Lluís Calvet i Pey (Publio), André Henriques (Lucio/Flavio), Kezia Bienek (Leontina)

Britten Sinfonia, Carlo Rizzi

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Awards:

Rizzi is no Donizetti apologist. Never are the orchestral gestures inflated to make the music seem imposing in the fashion of later composers. Lightness and firm but flexible pulse keep the...

About

To celebrate the 225th anniversary of Gaetano Donizetti’s birth, Opera Rara has restored L’esule di Roma (1828), an opera which is considered a milestone in the composer’s illustrious career. Set in Imperial Rome, L’esule di Roma is filled with political conspiracy, romantic intrigue and great sacrifice. Vocal fireworks fly in this opera, punctuating remarkable ensembles and touching arias.

Carlo Rizzi, Opera Rara’s Artistic Director, leads a star cast with Nicola Alaimo in one of Donizetti’s finest roles for bass-baritone, soprano Albina Shagimuratova, The Times’ “new queen of bel canto”, and tenor Sergey Romanovsky in the title role.

Contents and tracklist

'Publio! E quegli!' (Chorus)
Track length5:24
'Eccomi a voi...' (Murena, Chorus)
Track length7:02
'Lauro d'eterna gloria' (Chorus)
Track length3:14
'Se della patria' (Publio)
Track length1:47
'Publio, m'abbraccia...' (Publio, Murena, Chorus)
Track length00:41
'A quel Dio' (Murena, Publio, Chorus)
Track length3:12
'Del Tebro in sulla riva' (Publio, Murena)
Track length3:12
Allegro Marziale
Track length00:44
'Aure di Roma!...' (Settimio)
Track length3:37
'Tacqui allor...' (Settimio)
Track length5:55
'La magion di Murena!' (Settimio, Argelia)
Track length3:52
'Fia ver?... Oh Ciel!' (Settimio, Argelia)
Track length6:43
'E quei che in vesti misere si avvolge' (Lucio, Argelia, Settimio, Publio)
Track length2:08
'Publio ed Argelia si dividon!' (Murena, Fulvio)
Track length1:24
'Ognun rimane' (Argelia, Settimio)
Track length3:59
Nel suol dove vagi' (Chorus, Argelia)
Track length2:13
'Cagion del suo terrore' (Settimio, Argelia)
Track length1:16
'Murena, il genitor...' (Argelia, Settimio, Murena)
Track length2:21
'Ei stesso... La mia vittima...' (Murena, Settimio, Argelia)
Track length2:36
'Riedi, Settimio' (Chorus, Settimio, Murena, Argelia)
Track length2:17
'Piangi? Ti rasserena...' (Settimio, Argelia, Murena)
Track length5:33
'Non v'e... di qua parti...' (Chorus)
Track length3:22
'Al mio delitto!... Entra nel Circo' (Murena, Chorus)
Track length4:18
'Di Stige il flutto ancor' (Murena, Chorus)
Track length2:57
'Oh come queste mura' (Publio, Argelia, Leontina)
Track length3:04
'Oh cari oggetti!...' (Murena, Argelia)
Track length3:01
‘Vagiva Emilia ancora...’ (Murena, Argelia)
Track length3:33
‘Porgi que’ fogli...’ (Murena, Argelia)
Track length3:36
‘Nudo terren’ (Settimio)
Track length4:01
‘S’io finor, bell’idol mio’ (Settimio)
Track length2:05
'Il proscritto!' (Chorus, Settimio)
Track length4:26
'Ebben, Lucio?' (Murena, Lucio)
Track length00:53
'A un pianto!' (Chorus)
Track length4:57
'Ah che indarno Murena' (Argelia, Chorus)
Track length3:50
'Tardi, tardi il pie la volgi' (Argelia)
Track length2:32
'Morte! Ah pria che l'una' (Argelia)
Track length3:31
'Il popol riede...' (Argelia, Chorus, Settimio, Murena)
Track length2:12
'Ogni tormento, qual nebbia al vento' (Argelia, Settimio, Murena, Chorus)
Track length4:05

Spotlight on this release

Awards and reviews

  • International Opera Awards
    2024
    Shortlisted - Complete Recording
  • International Classical Music Awards
    2025
    Nominated - Opera

July 2024

Rizzi is no Donizetti apologist. Never are the orchestral gestures inflated to make the music seem imposing in the fashion of later composers. Lightness and firm but flexible pulse keep the opera moving along even in places where some conductors might favour more gravitas.
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