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Special offer. Stravinsky: Violin Concerto, Scherzo a la russe, Apollon musagete & Orchestral Suites Nos. 1 & 2

James Ehnes (violin), BBC Philharmonic, Sir Andrew Davis

there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front...

Special offer. Stravinsky: Violin Concerto, Scherzo a la russe, Apollon musagete & Orchestral Suites Nos. 1 & 2

James Ehnes (violin), BBC Philharmonic, Sir Andrew Davis

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This release includes a digital booklet

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there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front...

About

One of the foremost musicians of his generation, James Ehnes continues to dazzle audiences around the world. Here he joins the BBC Philharmonic and Sir Andrew Davis in a recording of Stravinsky’s Violin Concerto. Written for the Polish virtuoso Samuel Dushkin, the four-movement work takes the music of Bach as its inspiration, and is built around a chord of the notes D, E, and A, which Stravinsky described as his ‘passport to the concerto’ and with which the solo violin part opens each movement. Dushkin gave the première, conducted by Stravinsky, in Berlin in 1932. Apollon musagète, a ballet in two parts for string orchestra, was written in 1927 – 28, and demonstrates the composer’s complete rejection of the Russian folk music and idioms that had been so instrumental in his previous ballets (The Firebird, Petrushka). They are replaced by a concentration on ‘pure form’, which became known as his neo-classical style. The album is completed by his two orchestral suites – light-hearted music arranged from piano duets he had written in the 1910s – and Scherzo à la russe, a showpiece for the Paul Whiteman band that he composed in the early 1940s when newly arrived in California.

Contents and tracklist

I. Toccata. Tempo crotchet = 96
Track length5:56
II. Aria I. Tempo crotchet = 116 - Più mosso - Più lento
Track length4:21
III. Aria II. Tempo quaver = 48 - Poco più mosso
Track length5:46
IV. Capriccio. Tempo quaver = 120 - Poco più tranquillo
Track length6:21
I. Andante. Crotchet = 86 - 92
Track length1:23
II. Napolitana. Dotted crotchet = 144
Track length1:21
III. Española. Dotted crotchet = 54
Track length1:09
IV. Balalaïka. Crotchet = 144 - 132
Track length1:11
I. Marche. Crotchet = 80
Track length1:19
II. Valse. Dotted minim = 66 - [Trio I]
Track length2:22
III. Polka. Crotchet = 96
Track length1:09
IV. Galop. Crotchet = 126 - Trio
Track length2:26
I. Naissance d'Apollon
Track length5:21
II. Variation d'Apollon
Track length3:08
III. Pas d'Action
Track length4:25
IV. Variation de Calliope
Track length1:28
V. Variation de Polymnie
Track length1:20
VI. Variation de Terpsichore
Track length1:35
VII. Variation d'Apollon
Track length2:23
VIII. Pas de Deux
Track length4:20
IX. Coda (Apollon et les Muses)
Track length3:20
X. Apothéose
Track length3:36

Awards and reviews

March 2024

there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front as the violinist; there are wonderful contributions from the BBC Philharmonic, bassoons especially. But when Ehnes needs to take centre stage, in the second Aria he does so magisterially.

February 2024

Ehnes gives a performance of unobtrusive eloquence.
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