Schubert: Piano Works, Vol. 7
Vladimir Feltsman (piano)
Feltsman approaches all the music with huge affection...The readings are mostly unfussy, though he occasionally allows himself endearing, almost exaggerated tempo modifications at turning points....
Schubert: Piano Works, Vol. 7
Vladimir Feltsman (piano)
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Feltsman approaches all the music with huge affection...The readings are mostly unfussy, though he occasionally allows himself endearing, almost exaggerated tempo modifications at turning points....
About
In his music, if not in his life, Schubert was able to reconcile his innermost longings with the realities of life, to overcome the fear of death and restore the “lost paradise” of innocence and beauty. Very few artists have expressed their inner wo rld, their vision of heaven, with such lucidity and conviction. Schubert composed a n incredible amount of music during the last year of his life, as if knowing that he was running out of time. These works represent the pinnacle of his creativity, summing up his exploration of different musical forms, genres, and manner of writing. Among his finest compositions from this period are two sets of Impromptus and the Musical Moments that are included in this recording. Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world. “Vladimir Feltsman probes Schubert’s inner world more deeply than most in Volume One of his new cycle for Nimbus” © Bruce Reader
Contents and tracklist
Awards and reviews
February 2024
Feltsman approaches all the music with huge affection...The readings are mostly unfussy, though he occasionally allows himself endearing, almost exaggerated tempo modifications at turning points. His pedalling is varied and the voicing of melody, especially inner voices, a continuous delight.
March 2024
In Vladimir Feltsman’s burly hands, Schubert’s Impromptus leap out of the drawing room into the opera house.