Anton Bruckner and Sankt Florian, an incomparable and authentic relationship: In the monastery of Sankt Florian, Bruckner’s home and resting place, not a single stone has changed since Bruckner’s time. Conductor in Residence Rémy Ballot and the Altomonte Orchestra of St. Florian, as well as in two cases the Upper Austrian Youth Symphony Orchestra, have been using the annual gathering at the St. Florian Brucknertage festival for more than ten years now to devote themselves intensively to a selec-ted Bruckner symphony and to present it to the audience in one or two celebrated concerts. From the live recordings this 10-part cycle was created and in 2023 completed with the recording of the “Nullified Symphony WAB 100” and is now being released as an exclusive complete edition. In the entire history of Bruckner’s reception, this is the only cycle to have been performed live in its entirety by a single conductor – Rémy Ballot – exclusively in Sankt Florian. The acoustics of the St. Florian Abbey Basilica are pro-blematic due to their reverberation time of up to ten seconds, and are only suitable for a few works, as there is a danger of “har-monic mush” if the tempo is too fast and the harmonic changes too rapid as a result. Far from this trap, on the contrary, music is made in alliance with the acoustics in the present recordings. The architectural and acoustic conditions of the basilica require a consciously specific articulation and dynamic shaping. The Altomonte Orchestra, made up of local musicians reinforced by mem-bers of the most important Austrian orchestras, is traditionally deeply familiar with these, as well as is the Upper Austrian Youth Symphony Orchestra, which has been performing Symphonies VI and VIII for this edition.