Special offer. Olli Mustonen: Symphony Nos. 2 & 3
Ian Bostridge (tenor), Turku Philharmonic Orchestra, Olli Mustonen
Mustonen’s Second Symphony awakens gradually, moving as a flower turning its head to the sun. The Turku Philharmonic Orchestra yawns and stretches, and we’re halfway through the first movement...
Special offer. Olli Mustonen: Symphony Nos. 2 & 3
Ian Bostridge (tenor), Turku Philharmonic Orchestra, Olli Mustonen
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Mustonen’s Second Symphony awakens gradually, moving as a flower turning its head to the sun. The Turku Philharmonic Orchestra yawns and stretches, and we’re halfway through the first movement...
About
Composing has always formed an integral part of the artistic life of pianist-conductor Olli Mustonen (b. 1967) and he first emerged as a symphonist in the early 2010s. This album by the Turku Philharmonic Orchestra with Olli Mustonen conducting contains two of his most latest symphonies, both dramatic works firmly rooted and continuing the tradition of the great classical composers. Seeking inspiration from multiple sources, the theme of Mustonen’s 2nd Symphony, ‘Johannes Angelos’ (2013), is the ancient city of Constantinople and its mysticism. Mustonen’s 3rd Symphony, ‘Taivaanvalot’ (Heavenly Lights) (2020) is based on a section in the Finnish national epic Kalevala and inspired by the cosmic and shamanistic elements in Finnish mythology. In this recording, the solo part is being sung by internationally acclaimed tenor Ian Bostridge.
Contents and tracklist
Awards and reviews
February 2024
Mustonen’s Second Symphony awakens gradually, moving as a flower turning its head to the sun. The Turku Philharmonic Orchestra yawns and stretches, and we’re halfway through the first movement before urgent, staccato phrases shared between flutes and brass take shape.
January 2024
I can imagine these works will please many listeners keen to try something new – but not too advanced. The music certainly repays the effort, especially in Ondine’s top-notch sound.
February 2024
The performances under the composer are obviously authoritative and the orchestra plays well for him... Ian Bostridge, whose sensitive and flexible singing is always a pleasure... both works are worth hearing and Mustonen is worth following.