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Orchestral Music by Howard Blake

Philharmonia Orchestra, English Northern Philharmonia, Howard Blake, Paul Daniel

Pride of place definitely goes to the eloquent string orchestra suite derived from music written for the 1997 film A Month in the Country...The score’s vintage English stamp (early twentieth...

Orchestral Music by Howard Blake

Philharmonia Orchestra, English Northern Philharmonia, Howard Blake, Paul Daniel

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Pride of place definitely goes to the eloquent string orchestra suite derived from music written for the 1997 film A Month in the Country...The score’s vintage English stamp (early twentieth...

About

SOMM Recordings is delighted to announce the label debut of the acclaimed British composer Howard Blake with a disc of his orchestral music to mark his 85th birthday. Blake himself is heard at the piano and conducting the Philharmonia Orchestra, with Paul Daniel also conducting the English Northern Philharmonia. Internationally recognised as the composer of The Snowman’s ‘Walking on Air’, Blake’s prolific and wide-ranging achievements extend into symphonies, concertos, oratorios and music for solo piano to embrace the concert hall, dance stage and cinema screen. This focus on his orchestral music which includes four first recordings begins with his single-movement Symphony No.1 in its 1990 revision, a richly variegated work of vivid images and, as its title has it, Impressions of a City. A work of dazzling, multi-faceted dimensions and execution, it is, writes Robert Matthew-Walker in his authoritative booklet notes, an “organic, truly symphonic, composition from a genuine creative figure”. Concert Dances, for piano and orchestra, from 1992 and featuring Blake conducting from the keyboard, comprises nine relatively short dance movements in various styles to vivacious effect. Alluding to Eleanor of Aquitaine, 1979’s The Court of Love is a ravishing concert suite of three movements drawn from Blake’s ballet score for choreographer Lynn Seymour marking Queen Elizabeth II’s Silver Jubilee two years previously. The suite taken from his soundtrack to the 1987 film A Month in the Country shows Blake at his most exquisite and expressive in a score, says Matthew-Walker, that “surely belongs in any collection of 20th-century English music for string orchestra”.

Contents and tracklist

I. Parade
Track length00:54
II. Slow Ragtime
Track length1:39
III. Jump
Track length00:53
IV. Medium Rock
Track length1:48
V. Folk Ballad
Track length2:24
VI. Boogie
Track length1:00
VII. Jazz Waltz
Track length2:34
VIII. Cha-Cha
Track length1:54
IX. Galop
Track length00:53
I. The Enchantress (Theme and Variations)
Track length6:16
II. The Maiden and the Troubadour (Scherzo)
Track length7:07
III. The Queen (Theme and Finale)
Track length6:21
I. Larghetto
Track length3:04
II. Alla marcia
Track length1:21
III. Adagio (Elegy)
Track length3:55
IV. Scherzando
Track length1:35
V. Andante espressivo
Track length3:11

Awards and reviews

January 2024

Pride of place definitely goes to the eloquent string orchestra suite derived from music written for the 1997 film A Month in the Country...The score’s vintage English stamp (early twentieth century) is unmistakable; so is the strength of feeling conveyed in movements that encompass moods that vary from martial to elegiac – with multiple shades inbetween.
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