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The English Tenor

Scott Robert Shaw (tenor), Luba Podgayskaya, Eva de Vries, William Drakett, Emilie Bastens, James Williams

this is his debut solo recital. It reveals a voice of satisfying tonal smoothness, deployed to plangent effect in ‘Sleep’ from Ivor Gurney’s Five Elizabethan Songs. By the end of Gurney’s cycle,...

The English Tenor

Scott Robert Shaw (tenor), Luba Podgayskaya, Eva de Vries, William Drakett, Emilie Bastens, James Williams

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This release includes a digital booklet

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this is his debut solo recital. It reveals a voice of satisfying tonal smoothness, deployed to plangent effect in ‘Sleep’ from Ivor Gurney’s Five Elizabethan Songs. By the end of Gurney’s cycle,...

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Contents and tracklist

I. Orpheus
Track length2:19
II. Tears
Track length3:23
III. Under the Greenwood Tree
Track length1:46
IV. Sleep
Track length3:11
V. Spring
Track length2:45
I. We'll to the Woods No More
Track length1:16
II. Along the Field
Track length3:24
III. The Half-Moon Westers Low
Track length1:26
IV. In the Morning
Track length1:20
V. The Sigh That Heaves the Grasses
Track length2:11
VI. Good-Bye
Track length2:19
VII. Fancy's Knell
Track length3:21
VIII. With Rue My Heart Is Laden
Track length1:25
I. Autumn Evening
Track length3:14
II. April
Track length0:54
III. Last Year's Rose
Track length2:48
IV. Song of the Blackbird
Track length1:21
I. Lord! I Married Me a Wife
Track length1:13
II. She's Like the Swallow
Track length2:31
III. Lemady
Track length1:35
IV. Bonny at Morn
Track length3:10
V. I Was Lonely and Forlorn (Bugeilio’r Gwenith Gwyn)
Track length2:25
VI. David of the White Rock (Dafydd y Garreg Wen)
Track length2:51
VII. The False Knight upon the Road
Track length3:17
VIII. Bird Scarer's Song
Track length0:59
I. Come Away, Come Away, Death
Track length3:17
II. Who Is Sylvia
Track length1:36
III. Fear No More the Heat o' the Sun
Track length5:31
IV. O Mistress Mine
Track length1:52
IV. It Was a Lover and His Las
Track length2:33

Awards and reviews

December 2023

this is his debut solo recital. It reveals a voice of satisfying tonal smoothness, deployed to plangent effect in ‘Sleep’ from Ivor Gurney’s Five Elizabethan Songs. By the end of Gurney’s cycle, however, a certain interpretive reticence is evident .
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