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Hindemith: Das Marienleben, Op. 27

Yvonne Friedli (soprano), Contantin Alex (piano)

Hindemith: Das Marienleben, Op. 27
Between them they offer a reading of patient conviction and resolve, with the final three songs, describing Maria’s death, achieving tragic intensity as they should and must.

Hindemith: Das Marienleben, Op. 27

Yvonne Friedli (soprano), Contantin Alex (piano)

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Between them they offer a reading of patient conviction and resolve, with the final three songs, describing Maria’s death, achieving tragic intensity as they should and must.

About

"The greatest song cycle ever written." - Glenn Gould is very unequivocal in his judgement of Paul Hindemith's Das Marienleben, based on a collection of poems by Rainer Maria Rilke. The notorious bourgeois terror, then only 27 years old, shows a very different, internalised side here. "There is something in these songs that forces and fascinates the listener beyond all habits of conventional song manner," wrote a reviewer in 1923, and to this day there is nothing to add. Yvonne Friedli and Constantin Alex make it palpable in their sensitive interpretation.

Contents and tracklist

I, Geburt Mariä
Track length2:45
II, Die Darstellung Mariä im Tempel
Track length6:29
III, Mariä Verkündigung
Track length4:38
IV, Mariä Heimsuchung
Track length2:44
V, Argwohn Joseph
Track length1:55
VI, Verkündigung über den Hirten
Track length6:10
VII, Geburt Christi
Track length4:34
VIII, Rast auf der Flucht in Ägypten
Track length3:22
IX, Von der Hochzeit zu Kana
Track length7:13
X, Vor der Passion
Track length5:19
XI, Pietà
Track length3:10
XII, Stillung Mariä mit dem Auferstandenen
Track length2:08
XIII, Vom Tod Mariä I
Track length6:44
XIV, Vom Tod Mariä II
Track length6:39
XV, Vom Tod Mariä III
Track length2:51

Awards and reviews

October 2023

Between them they offer a reading of patient conviction and resolve, with the final three songs, describing Maria’s death, achieving tragic intensity as they should and must.
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