Brahms: The Four Symphonies
Luzerner Sinfonieorchester, Michael Sanderling
Awards:
-
International Classical Music Awards, 2024, Nominated - Symphonic Music
This set’s opening gambit is an account of the First Symphony that’s both gemütlich and gripping – no easy feat...It’s also a performance particularly rich in colouristic detail.
Brahms: The Four Symphonies
Luzerner Sinfonieorchester, Michael Sanderling
Purchase product
Awards:
-
International Classical Music Awards, 2024, Nominated - Symphonic Music
This set’s opening gambit is an account of the First Symphony that’s both gemütlich and gripping – no easy feat...It’s also a performance particularly rich in colouristic detail.
About
In their first Warner Classics release of symphonic repertoire, the players of the Lucerne Symphony Orchestra and their Chief Conductor Michael Sanderling perform the four Brahms Symphonies and Schoenberg’s orchestration of Brahms’ Piano Quartet in G minor. Founded in 1805, the Lucerne Symphony Orchestra (Luzerner Sinfonieorchester) is Switzerland’s oldest orchestra. As Sanderling points out, Brahms made two visits to Lucerne. “The location of Switzerland’s central city, creates a link with Brahms,” says Sanderling. “Its proximity to the mountains, its position on beautiful Lake Lucerne … I can hear that in Brahms’ symphonic music. I can hear his love for nature … the purity of the air. And in his Symphony No 1, I think we can all hear the sound of the alphorn, which Brahms heard for the first time in Switzerland and which inspired the gorgeous theme [of the symphony’s fourth movement].” Sanderling feels that, more than 200 years into its existence, new vistas – especially in the symphonic repertoire of late Romanticism – are opening up for the Lucerne Symphony Orchestra. He and the players are looking forward to further voyages of discovery.
Contents and tracklist
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Awards and reviews
-
International Classical Music Awards2024Nominated - Symphonic Music
August 2023
This set’s opening gambit is an account of the First Symphony that’s both gemütlich and gripping – no easy feat...It’s also a performance particularly rich in colouristic detail.