Rachmaninoff: Symphony No. 2
Sinfonia of London, John Wilson
Awards:
-
Presto Recording of the Week, 7th April 2023
In this warmly recorded release, John Wilson appears to get the balance just right. There’s plenty of heft as well as requisite warmth in the big orchestral climaxes, for instance near the end...
Rachmaninoff: Symphony No. 2
Sinfonia of London, John Wilson
Purchase product
Awards:
-
Presto Recording of the Week, 7th April 2023
In this warmly recorded release, John Wilson appears to get the balance just right. There’s plenty of heft as well as requisite warmth in the big orchestral climaxes, for instance near the end...
About
John Wilson and Sinfonia of London release their second album of Rachmaninoff. The Second Symphony was mostly composed in Dresden – where Rachmaninoff was escaping the political and professional pressures of Russia – in 1906 – 07. An hour’s worth of music, the symphony is one of his largest works after the operas, and is widely viewed as one of his greatest works. It was possibly of some significance to the composer, following the less than auspicious début of his First Symphony (which he withdrew after the première). First performed in St Petersburg and Moscow, conducted by the composer, the Second Symphony was an immediate success with audiences and critics alike, and remains a mainstay of the orchestral repertoire to this day. Rachmaninoff dedicated the score to his teacher Sergei Taneyev, who was a pupil of Tchaikovsky. Rachmaninoff composed the Prélude in C sharp minor in 1892, originally for piano, at the beginning of his career. Stokowski’s orchestration, performed here, whilst not the only one in existence, is certainly the best known and arguably the most successful.
Contents and tracklist
- Orch. by Stokowski
- Sinfonia of London
- John Wilson
Spotlight on this release
Awards and reviews
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Presto Recording of the Week7th April 2023
June 2023
In this warmly recorded release, John Wilson appears to get the balance just right. There’s plenty of heft as well as requisite warmth in the big orchestral climaxes, for instance near the end of the slow movement, or in the triumphant coda to the Finale. But Wilson is careful not to overplay his hand, ensuring that the levels of intensity are judiciously calibrated.
March 2023
This orchestra is never fazed by any technical challenge and its precision is a joy… The excellence of the sound allows us to revel in both the colours of the composer’s orchestration and the virtuosity of the players here.
7th April 2023
The strings of Sinfonia of London are one of the wonders of today’s orchestral world, and Wilson and the Chandos engineering team throw the spotlight squarely on them for large stretches of a work where we’re often used to hearing the brass take centre-stage. The two central movements in particular have an almost Classical poise here, which reminded me that works like Stravinsky’s Petrushka and Prokofiev’s Classical Symphony were just around the corner.