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Amore Dolore

Nicolò Balducci (countertenor), Baroque Academy Gothenburg Symphony, Dan Laurin

Amore Dolore
The flexibility and assertiveness of his singing is best heard in excitable arias featuring storms or revenge…That said one of the best tracks here is Handel's superb aria for Cleopatra, 'Se...

Amore Dolore

Nicolò Balducci (countertenor), Baroque Academy Gothenburg Symphony, Dan Laurin

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Hybrid Multi-channel

$17.75

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Stream now lossless, 44.1 kHz, 16 bit
The flexibility and assertiveness of his singing is best heard in excitable arias featuring storms or revenge…That said one of the best tracks here is Handel's superb aria for Cleopatra, 'Se...

About

"For his second recital album for BIS, countertenor and sopranist Nicolò Balducci, ‘a singer of a remarkably sweet sound and distinct vocal agility’ (Gramophone), presents arias that evoke love and pain, two basic ingredients of Italian opera in the 18th century. Often tailor-made for specific singers who were in some cases the foremost castrati from that era such as the legendary Farinelli, these arias expressed resolute valour, unbridled fury and sometimes extreme guilt, to the delight of audiences that enjoyed these operas with their far-fetched narratives inspired by mythology or historical events. For this album, Nicolò Balducci is accompanied by the Baroque Academy Gothenburg Symphony under the direction of renowned recorder player Dan Laurin. Together, they perform well-known arias by Handel, from Vivaldi’s long neglected operas, as well as by lesser-known composers such as Riccardo Broschi (Farinelli’s brother) and Egidio Duni."

Contents and tracklist

I. Allegro
Track length3:09
Ii. Andante
Track length2:19
Iii. Allegro
Track length1:30

Awards and reviews

June 2023

The flexibility and assertiveness of his singing is best heard in excitable arias featuring storms or revenge…That said one of the best tracks here is Handel's superb aria for Cleopatra, 'Se pietà di me non senti'…this is Balducci at his most fluent, expressive and compelling.

Sep/Oct 2023

These are spellbinding performances that meet, if not exceed, the high standards already set by the likes of Cecilia Bartoli and Philippe Jaroussky. This is nimble, playful singing, and it is sensitive to the texts without overstating obvious interpretive points. The Baroque Academy Gothenburg Symphony complements Balducci’s sound, playing with agility and with drama that never becomes bigger than the music itself.

June 2023

Balducci is on fine form. His crystalline timbre is satisfyingly shaped into unrippled streams of vibrato-less legato.
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