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Stanford: Requiem

Carolyn Sampson (soprano), Marta Fontanals-Simmons (mezzo-soprano), James Way (tenor), Ross Ramgobin (baritone), University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins

Stanford: Requiem

Awards:

Brabbins, who truly understands the language of this music, judges the tempos and balance of the ensemble with instinctive sensitivity...For anyone interested in British choral music of the...

Stanford: Requiem

Carolyn Sampson (soprano), Marta Fontanals-Simmons (mezzo-soprano), James Way (tenor), Ross Ramgobin (baritone), University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins

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Awards:

Brabbins, who truly understands the language of this music, judges the tempos and balance of the ensemble with instinctive sensitivity...For anyone interested in British choral music of the...

About

Recorded in association with a live performance from Birmingham's Symphony Hall last year, this account of Stanford's Requiem rescues a magnificent work from wholly unjustified neglect.

The performance of Charles Villiers Stanford's forgotten late-Victorian masterpiece, marking 125 years since the premiere of the Requiem at the Birmingham Triennial Festival, featured a number of international soloists alongside Brabbins ? including Carolyn Sampson and Marta Fontanal-Simmons (both Birmingham alumni), with James Way and Ross Ramgobin.

Contents and tracklist

Ia. Introit: Requiem aeternam –
Track length3:49
Ib. Te decet hymnus –
Track length1:48
Ic. Requiem aeternam
Track length1:47
IIa. Kyrie I –
Track length1:54
IIb. Kyrie II
Track length1:00
IIc. Kyrie III
Track length1:12
IIIa. Gradual: Requiem aeternam –
Track length1:35
IIIb. In memoria aeterna
Track length2:40
IVa. Sequence: Dies irae –
Track length0:52
IVb. Tuba mirum –
Track length2:36
IVc. Liber scriptus proferetur
Track length1:59
IVd. Quid sum miser?
Track length0:54
IVe. Quem patronum rogaturus? –
Track length0:55
IVf. Rex tremendae maiestatis –
Track length1:32
IVg. Recordare, Jesu pie
Track length2:27
IVh. Quaerens me –
Track length1:53
IVi. Iuste iudex ultionis –
Track length2:38
IVj. Inter oves locum praesta
Track length2:39
IVk. Confutatis maledictis –
Track length2:25
IVl. Lacrimosa dies illa –
Track length4:48
IVm. Pie Jesu Domine
Track length2:17
Va. Offertorium: Domine Jesu Christe –
Track length2:45
Vb. Quam olim Abrahae promisisti
Track length2:32
Vc. Hostias et preces tibi –
Track length2:11
Vd. Transire ad vitam … Quam olim Abrahae promisisti
Track length2:51
VIa. Sanctus –
Track length3:59
VIb. Benedictus –
Track length4:15
VIc. Osanna
Track length1:49
VIIa. Agnus Dei –
Track length3:20
VIIb. Lux aeterna
Track length6:49

Awards and reviews

June 2023

Brabbins, who truly understands the language of this music, judges the tempos and balance of the ensemble with instinctive sensitivity...For anyone interested in British choral music of the period, it is a must!

May 2023

The consoling spirit of Brahms's German Requiem (written three decades earlier) hovers over the mass which Stanford composed in memory of his friend Lord Frederic Leighton in 1896, but the Irish composer remains very much his own man. The well-drilled young Birmingham singers sound fresh and incisive throughout, and there's marvellous work (singly and collectively) from the solo quartet - particularly Sampson, floating a radiant top C in the Rex Tremendae.
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