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Wagner: Das Rheingold

George London (Wotan), Kirsten Flagstad (Fricka), Claire Watson (Freia), Set Svanholm (Loge), Waldemar Kmentt (Froh), Eberhard Wächter (Donner), Paul Kuen (Mime), Jean Madeira (Erda), Gustav Neidlinger (Alberich), Walter Kreppel (Fasolt), Kurt Böhme (Fafner)

Wiener Philharmoniker, Sir Georg...

Wagner: Das Rheingold
I’m in no doubt that the sound quality is significantly better than Decca have been able to achieve on previous issues of this recording. There’s only one word for it: stunning. You really have...

Wagner: Das Rheingold

George London (Wotan), Kirsten Flagstad (Fricka), Claire Watson (Freia), Set Svanholm (Loge), Waldemar Kmentt (Froh), Eberhard Wächter (Donner), Paul Kuen (Mime), Jean Madeira (Erda), Gustav Neidlinger (Alberich), Walter Kreppel (Fasolt), Kurt Böhme (Fafner)

Wiener Philharmoniker, Sir Georg...

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit
I’m in no doubt that the sound quality is significantly better than Decca have been able to achieve on previous issues of this recording. There’s only one word for it: stunning. You really have...

About

For these new editions, a decade since the last remastering, a completely new set of high-definition 24 bit/192kHz transfers of the original master tapes have been utilized.

Almost every tape box (38 reels in total) is marked ‘Edited & Passed: JC’ where producer John Culshaw personally initialed each reel as passed for production

This 2022 remastering has been carried out by Philip Siney, long-standing Decca balance engineer & overseen by Dominic Fyfe, Decca Classics Label Director

Significant strides forward have been possible thanks to these new transfers at this resolution and a more sophisticated set of remastering tools

Each opera is presented in new deluxe editions—on half-speed vinyl and hybrid SACD—with lavish booklets including rarely seen session photographs, facsimiles of original conductor & producer scores and previously unpublished and newly-discovered curios from the sessions, as well as synopses and libretto (DE/EN)

Decca’s landmark recording of Wagner’s 15-hour epic, Der Ring des Nibelungen conducted by Sir Georg Solti is the most celebrated classical recording in history. The world’s best-selling opera recording — a recording project on a scale without precedent and the first-ever studio recording of Wagner’s masterpiece, it took seven years to record.

Solti and the legendary Decca producer John Culshaw assembled the dream cast, the best possible Wagnerian voices of the day. A top star in every role, no matter how small. Among them: George London & Hans Hotter as Wotan, Birgit Nilsson as Brünnhilde, Wolfgang Windgassen as Siegfried, James King as Siegmund, Régine Crespin as Sieglinde, Dietrich Fischer-Dieskau as Gunther, Kirsten Flagstad (!) as Fricka in “Das Rheingold,” Christa Ludwig as Fricka in “Die Walküre” and as Waltraute in “Götterdämmerung,” Lucia Popp as Woglinde, Gwyneth Jones & Brigitte Fassbaender as Rheinmadens and Joan Sutherland (!) as the Woodbird.

While Solti was the mastermind behind the musical interpretation, this massive undertaking would not have been greeted with such unprecedented enthusiasm and rave reviews were it not for the skill Decca’s Culshaw–Parry dream team: producer John Culshaw and engineers Gordon Parry, James Brown & James Lock. They were crucial in making Wagner’s instructions a reality. Culshaw remarked “It is precisely because the work is so huge and demanding that one should not pass lightly over any detail.”

Culshaw’s rival at EMI, Walter Legge remarked “A beautiful work but you won’t sell fifty copies”… how wrong he was: Since the first release, the recording has sold over 9 million units !Each deluxe Vinyl & SACD release comes with an extensive booklet including:

A technical note on the new HD remastering by Decca Classics Label Director & Executive Producer Dominic Fyfe

Introductions to each opera by John Culshaw

Synopses in English & German

Libretti (original German + English translation)

Original session photographs, facsimiles of Solti’s and Culshaw’s scores, and previously unpublished and newly-discovered curios from the sessions

Cast:

Wotan: George London (bass-baritone)

Fricka: Kirsten Flagstad (soprano)

Freia: Claire Watson (soprano)

Froh: Waldemar Kmentt (tenor)

Donner: Eberhard Waechter (baritone)

Loge: Set Svanholm (tenor)

Mime: Paul Kuen (tenor)

Erda: Jean Madeira (contralto)

Alberich: Gustav Neidlinger (bass-baritone)

Fasolt: Walter Kreppel (bass)

Fafner: Kurt Böhme (bass)

Woglinde: Oda Balsborg (soprano)

Wellgunde: Hetty Plümacher (mezzo-soprano)

Flosshilde: Ira Malaniuk (mezzo-soprano)

Contents and tracklist

Vorspiel
Track length4:13
Weia! Waga! Woge, du Welle!
Track length2:24
Garstig glatter glitschriger Glimmer!
Track length4:55
Wallala! Lalaleia! Leialalei!
Track length2:24
Lugt, Schwestern! Die Weckerin lacht in den Grund
Track length5:49
Der Welt Erbe Gewänn' ich zu eigen durch dich?
Track length4:24
Wotan! Gemahl! Erwache!
Track length10:53
Sanft schloß Schlaf dein Aug'
Track length7:28
Zu mir, Freia!
Track length1:40
Endlich, Loge!
Track length3:46
Immer ist Undank Loges Lohn!
Track length7:01
Ein Runenzauber zwingt das Gold zum Reif
Track length3:06
Hör', Wotan, der Harrenden Wort!
Track length2:47
Was sinnt nun Wotan so wild?
Track length5:09
Auf, Loge, hinab zu mir!... Hehe! Hehe!
Track length4:30
Schau, du Schelm!
Track length2:07
Nibelheim hier
Track length5:20
Nehmt euch in acht! Alberich naht!
Track length7:33
Vergeh, frevelnder Gauch!
Track length3:54
Ohe! Ohe! Schreckliche Schlange
Track length6:30
Da, Vetter, sitze du fest!
Track length4:41
Gezahlt hab'ich: nun laßt mich ziehn!
Track length5:35
Bin ich nun frei?
Track length4:08
Fasolt und Fafner nahen von fern
Track length5:18
Gepflanzt sind die Pfähle nach Pfandes Maß
Track length5:47
Weiche, Wotan, weiche!
Track length6:00
Hört, ihr Riesen!
Track length6:34
Schwüles Gedünst schwebt in der Luft
Track length3:11
Abendlich strahlt der Sonne Auge
Track length4:50
Rheingold! Rheingold!
Track length3:39

Spotlight on this release

Awards and reviews

I’m in no doubt that the sound quality is significantly better than Decca have been able to achieve on previous issues of this recording. There’s only one word for it: stunning. You really have to pinch yourself and remember that you are listening to a recording which was made in September and October 1958. The results we can hear on this pair of discs testify to the great skill – and patience – of remastering engineer Philip Siney and his colleagues. Even more, they show just how remarkable were the original efforts of John Culshaw and his gifted team.
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