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Special offer. Handel: Eternal Heaven

Lea Desandre (mezzo), Iestyn Davies (countertenor), Thomas Dunford, Jupiter

Handel: Eternal Heaven

Awards:

Desandre’s pure, warm core and skilled application of vocal colours make her lyricism seductive, while her warp-speed passagi are simply astonishing. Countertenor Iestyn Davies delivers the...

Special offer. Handel: Eternal Heaven

Lea Desandre (mezzo), Iestyn Davies (countertenor), Thomas Dunford, Jupiter

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This release includes a digital booklet

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Awards:

Desandre’s pure, warm core and skilled application of vocal colours make her lyricism seductive, while her warp-speed passagi are simply astonishing. Countertenor Iestyn Davies delivers the...

About

Lutenist Thomas Dunford’s first project for Warner Classics is a complete Handel programme with his Ensemble Jupiter, and his longstanding musical partners Lea Desandre and lestyn Davies. The album stems from Dunford's desire to bring together these two sublime voices and tell a love story through Handel’s most beautiful spiritual music. During the pandemic, Thomas and Lea went through Handel's entire English-language oeuvre to build a narrative Dunford has dubbed ‘a Baroque West Side Story’. The album features arias from Semele, Theodora, Saul, Susanna, Esther, and more.

Contents and tracklist

"Prepare, Then, Ye Immortal Choir" (Semele, Ino)
Track length2:16
"Hence, Iris, Hence Away" (Juno)
Track length3:02

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    November 2022
  • Gramophone Magazine
    January 2023
    Editor's Choice
  • Opus Klassik Awards
    2023
    Nominated - Female & Male Singer of the Year, Conductor of the Year, Solo Vocal

February 2023

Desandre’s pure, warm core and skilled application of vocal colours make her lyricism seductive, while her warp-speed passagi are simply astonishing. Countertenor Iestyn Davies delivers the intimate, precise, effortless vocalism for which he’s renowned, and when he and Desandre duet, their euphony is sublime

January 2023

This is an album that reaches deep into Handel’s genius – looks like there’s life in the format yet.

November 2022

This brilliantly-sung and played programme of sacred and secular Handel includes plenty of vocal fireworks in between the stretches of calm beauty - of which Desandre's 'As with rosy steps' and Davies's 'O Lord whose mercies numberless' stand out. Both singers excel in the excerpts from Semele, with Davies a neurotic, imperious Juno (the first time I've heard a countertenor in this role) and Desandre's bright, athletic mezzo easily encompassing the soprano heroine's stratospheric excursions in 'No, no, I'll take no less'.
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