Dance!
Igor Stravinsky; Richard Birchall; Caroline Shaw; Cheryl Frances-Hoad; Maurice Ravel
Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello), Minerva Piano Trio
This curious programme springs some pleasant surprises. The best is saved till last: David Knotts’s remarkably inventive arrangement of three episodes from Ravel’s ballet Daphnis et Chloé...Bringing...
Dance!
Igor Stravinsky; Richard Birchall; Caroline Shaw; Cheryl Frances-Hoad; Maurice Ravel
Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello), Minerva Piano Trio
Purchase product
This curious programme springs some pleasant surprises. The best is saved till last: David Knotts’s remarkably inventive arrangement of three episodes from Ravel’s ballet Daphnis et Chloé...Bringing...
About
SOMM Recordings is thrilled to announce Dance!, the debut recording by the Minerva Piano Trio, featuring seminal pieces by Stravinsky and Ravel alongside new work by two British composers, Cheryl Frances-Hoad and Richard Birchall, and Pulitzer Prize-winning American, Caroline Shaw.
Formed in 2013 and acclaimed for their “immaculate technique… high degree of maturity, concentration, commitment and energy” by Classical Source, the Minerva Piano Trio – pianist Annie Yim, violinist Michał Ćwiżewicz, and cellist Richard Birchall – has earned glowing plaudits from audiences and critics alike, Arcana FM marking them as “an ensemble which is clearly going places”, Classical Source declaring “how lucky modern-day composers are to have such expert and sympathetic advocates”, The Times praising them for “the most beautiful sounds”.
Dance! features two ballet pieces by Stravinsky and Ravel, the former’s Pulcinella Suite arranged by the Minerva’s Richard Birchall, the latter’s Daphnis et Chloé heard in David Knott’s arrangement of three scenes that, says the Trio’s Annie Yim, illustrate “the discovery of love: innocence, awakening, touch, and passion”. Both arrangements are receiving first recordings.
Also making their debuts on disc are Birchall’s own Contours, described by Caroline Potter in her informative booklet notes as exploring “the notion and elastic meaning of its title in different ways”, and, in Annie Yim’s arrangement, Caroline Shaw’s Gustave Le Gray. Rooted in a Chopin Mazurka, it eloquently mimics its artist namesake’s facility for poetically layered voices and images.
Completing the recital is Cheryl Frances-Hoad’s My Fallen Angel. Inspired by a short story about the dour, deadening domesticity of married life by the poet Sylvia Plath, Potter likens both composer and piece to Olivier Messiaen, hailing the work’s “logic and appealing sound world of its own” and Frances-Hoad as “a sound-colour synaesthete who associates specific colours with sounds”.
Contents and tracklist
- Arr. R. Birchall for Piano Trio
- Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello)
- Minerva Piano Trio
- Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello)
- Minerva Piano Trio
- Arr. A. Yim for Piano Trio
- Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello)
- Minerva Piano Trio
- Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello)
- Minerva Piano Trio
- Annie Yim (piano), Michał Ćwiżewicz (violin), Richard Birchall (cello)
- Minerva Piano Trio
Awards and reviews
Christmas Issue 2022
This curious programme springs some pleasant surprises. The best is saved till last: David Knotts’s remarkably inventive arrangement of three episodes from Ravel’s ballet Daphnis et Chloé...Bringing out instrumental combinations and sonorities familiar from Ravel’s Piano Trio, Knotts translates the ‘Nocturne’ quite brilliantly: music which can seem becalmed in the ballet itself here sounds intriguing and compelling.
November 2022
These are clear, crafted performances in high quality sound captured by Adaq Khan at London’s Menuhin Hall. Recommended.
British Music Society Journal
The Minerva Trio really are a superb group of young musicians, who in this disc perform flawlessly. Not just flawless technique but flawless musicality, each movement of each work is beautifully shaped. The recording, likewise, is of demonstration quality.