Schubert: Schwanengesang
Andrè Schuen (baritone), Daniel Heide (piano)
Awards:
-
Presto Editor's Choice, November 2022
-
Opus Klassik Awards, 2023, Nominated - Male Singer of the Year
-
Opus Klassik Awards, 2023, Winner - Solo Vocal
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Gramophone Awards, 2023 Finalists, Finalist - Song
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International Classical Music Awards, 2024, Nominated - Vocal Music
What empathy this is from these two young artists!
Schubert: Schwanengesang
Andrè Schuen (baritone), Daniel Heide (piano)
Purchase product
Awards:
-
Presto Editor's Choice, November 2022
-
Opus Klassik Awards, 2023, Nominated - Male Singer of the Year
-
Opus Klassik Awards, 2023, Winner - Solo Vocal
-
Gramophone Awards, 2023 Finalists, Finalist - Song
-
International Classical Music Awards, 2024, Nominated - Vocal Music
What empathy this is from these two young artists!
About
After receiving huge praise for his debut album on Deutsche Grammophon (Sunday Times Album of the Week, Editor's Choice Gramophone Magazine) Baritone Andrè Schuen continues his Schubert journey. Schubert's enigmatic final collection of songs, 'Schwanengesang', is the subject of baritone Andrè Schuen and his longstanding accompanist Daniel Heide's second release for Deutsche Grammophon. Baritone Andrè Schuen's admiration for the cycle dates back to a time before he had even become a professional singer: 'It's one of the first lied compositions I got to know. I remember a recording with Dietrich Fischer-Dieskau that I played over and over again'. Schwanengesang compiles lieder on texts by Ludwig Rellstab, Henirich Heine and Johann Gabriel Seidl, put together after Schubert's untimely early death. The album follows the pair's acclaimed interpretation of Die schöne Müllerin.
Contents and tracklist
- Andrè Schuen (baritone), Daniel Heide (piano)
- Recorded: 2021-03-03
- Recording Venue: Markus-Sittikus-Saal, Hohenems
Spotlight on this release
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Awards and reviews
-
Presto Editor's ChoiceNovember 2022
-
Opus Klassik Awards2023Nominated - Male Singer of the Year
-
Opus Klassik Awards2023Winner - Solo Vocal
-
International Classical Music Awards2024Nominated - Vocal Music
January 2023
What empathy this is from these two young artists!
February 2023
one enjoys Schuen’s fresh, beautifully contoured baritone, deployed with breath control that allows him to sail into long vocal lines with an illuminating sense of long-term musical direction, plus telling articulation of text.
November 2022
The second of two superb interpretations of Schwanengesang to come my way in as many months, this could scarcely be more different from Ian Bostridge's aching, careworn account of the work with the late Lars Vogt, but I can see myself returning to it just as often: firm and even throughout the range, Schuen's virile, oaky baritone is a pleasure in itself, and his broader-brush approach to the text is no less vivid than Bostridge's more pointillistic interpretation.
Limelight Magazine 16th December 2022
His diction is faultless and there’s an attractive chemistry between him and Heide.