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Special offer. Vicente Lusitano: Motets

Marian Consort

Vicente Lusitano: Motets

Awards:

As we have come to expect from the Marian Consort singers, their performances are well tuned, with an assured grasp of style throughout and with the sense of direction compellingly sustained.

Special offer. Vicente Lusitano: Motets

Marian Consort

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CD

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From Original price $9.25 Reduced price $6.50

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($18.25) Reduced price $12.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

As we have come to expect from the Marian Consort singers, their performances are well tuned, with an assured grasp of style throughout and with the sense of direction compellingly sustained.

About

Following its digital debut on Linn presenting a triptych of works by Josquin des Prez, Vicente Lusitano and Roderick Williams, The Marian Consort now focuses its attention on the central figure of this trio, the ‘Portuguese’. In his own time an important music theorist, Lusitano’s reputation and music have both been neglected in ours. As so often with musical figures of the Renaissance, many of the details of his life remain unknown. We can, however, be reasonably confident that he was the first published composer of African heritage. Referred to as ‘pardo’ in one eighteenth-century source, his only surviving printed book of compositions, the Liber primus epigramatum, was issued in Rome in 1551. True to its pioneer spirit as ‘brilliant discoverers, and exponents, of rare repertoire’ (The Observer), The Marian Consort has recorded a carefully chosen programme of these striking and impressive unjustly forgotten works.

Spotlight on this release

Awards and reviews

November 2022

As we have come to expect from the Marian Consort singers, their performances are well tuned, with an assured grasp of style throughout and with the sense of direction compellingly sustained.

Awards Issue 2022

This will be a revelation to many...one senses a clarity of purpose that goes beyond sonic beauty, though that also is there in spades: the female singers and Rory McCleery’s alto shape their lines beautifully.
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