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Saint-Saëns - Hahn: À la lumière

Eloïse Bella Kohn, Accentus, Christophe Grapperon

Mention SaintSaëns or Reynaldo Hahn and secular choral music is unlikely to spring to mind. As is clear, though, from this enchanting new collection, both composers are typically adroit...it...

Saint-Saëns - Hahn: À la lumière

Eloïse Bella Kohn, Accentus, Christophe Grapperon

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Mention SaintSaëns or Reynaldo Hahn and secular choral music is unlikely to spring to mind. As is clear, though, from this enchanting new collection, both composers are typically adroit...it...

About

Ever since its creation more than twenty-five years ago, the Accentus chamber choir has ardently championed the a cappella repertory: under its conductor and founder Laurence Equilbey, it has produced an impressive discography that sets the benchmark in this music. For this new recording, the first for Alpha, she hands over direction of the ensemble to Christophe Grapperon, its associate conductor since 2013: ‘It can never be said often enough: the a cappella repertory is a Holy Grail of vocal music! It is a sensory experience directly accessible to everyone, but demanding and often atypical for the listener.’ Hahn and Saint-Saëns are on the programme of this album in superb choral works combining simplicity and expressive power, some of which have never been recorded before.

Contents and tracklist

No. 2, Vivons, mignarde !
Track length1:42
No. 3, Pleurez avec moi !
Track length3:41
No. 6, Les Fourriers d'été
Track length1:24
No. 1, Le jour
Track length3:56
No. 11, La nuit
Track length2:43

Awards and reviews

November 2022

Mention SaintSaëns or Reynaldo Hahn and secular choral music is unlikely to spring to mind. As is clear, though, from this enchanting new collection, both composers are typically adroit...it is luxury casting to hear works that could grace many local choirs sung by Accentus under Christophe Grapperon and, a couple of minor imprecisions aside, the results are ravishing.

October 2022

The performances are lovely. Accentus are a remarkable choir, and everything is beautifully balanced and focused as Grapperon teases out harmonic and contrapuntal subtleties, all the while alert to consistencies of mood and points of verbal detail.
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