Help
Skip to main content
Basket 0 items, $0.00

Arias

Jonathan Tetelman (tenor), Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon

Arias

Awards:

After music college, Jonathan Tetelman abandoned singing and became a DJ...His is the sort of ardent, soul-baring voice you would want to be serenaded by when reclining on a chaise longue somewhere...

BBC Music Magazine, November 20225 out of 5 stars

More reviews

Arias

Jonathan Tetelman (tenor), Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon

Purchase product

CD

$14.75

1 in stock: usually despatched within 1 working day

Download

From$8.25

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$14.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$8.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Free 30 day trial

Awards:

After music college, Jonathan Tetelman abandoned singing and became a DJ...His is the sort of ardent, soul-baring voice you would want to be serenaded by when reclining on a chaise longue somewhere...

BBC Music Magazine, November 20225 out of 5 stars

More reviews

About

Chilean-American tenor Jonathan Tetelman has already earned a reputation in the opera world as a dedicated, distinctive and versatile artist. Having signed an exclusive agreement with DG, he has now recorded his debut DG album, Arias. With his agile technique, dramatic eloquence and rich palette of vocal colours, Tetelman here inhabits a range of roles from the French and Italian repertoire. We are pleased to have been able to record the album in the unique acoustics of the Alfredo Kraus Auditorium in Las Palmas de Gran Canaria, and to work with such supportive partners as the Orquesta Filarmónica de Gran Canaria and its Music Director Karel Mark Chichon.

Contents and tracklist

Ponchielli: Cielo e mar! (from La Gioconda)
Work length4:23
Giordano, U: Amor ti vieta (from Fedora)
Work length1:46
Verdi: Non maledirmi, O Prode (from I Due Foscari)
Work length1:55
Flotow: M'appari (from Martha)
Work length3:02
Bizet: La fleur que tu m'avais jetée (from Carmen)
Work length4:10
Cilea: La dolcissima effigie (from Adriana Lecouvreur)
Work length2:16
Verdi: La vita è inferno … O tu che in seno (from La Forza del Destino)
Work length6:55
La vita è inferno
Track length3:14
O tu che in seno agli angeli
Track length3:41
Giordano, U: Come un bel dì di maggio (from Andrea Chénier)
Work length3:01
Zandonai: Paolo, datemi pace! (from Francesca Da Rimini)
Work length3:37
Zandonai: Perché volete voi ch’io rinnovi (from Francesca da Rimini)
Work length9:37
Massenet: Toute mon âme - Pourquoi me réveiller (from Werther)
Work length2:47
Mascagni: Mamma, quel vino (from Cavalleria Rusticana)
Work length3:48
Puccini: Addio, fiorito asil (from Madama Butterfly)
Work length1:43
Verdi: Ah sì ben mio (from Il trovatore)
Work length4:15
Verdi: Di quella pira (from Il trovatore)
Work length3:14

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    12th August 2022
  • Gramophone Magazine
    October 2022
    Recording of the Month
  • Presto Recordings of the Year
    Finalist 2022
  • Opus Klassik Awards
    2023
    Nominated - Male Singer of the Year, Solo Vocal & Conductor
  • Opus Klassik Awards
    2023
    Winner - Young Talent of the Year

November 2022

After music college, Jonathan Tetelman abandoned singing and became a DJ...His is the sort of ardent, soul-baring voice you would want to be serenaded by when reclining on a chaise longue somewhere hot and beautiful. This disc is quite simply a sensation, and clubbing’s loss is most definitely opera’s gain.
5 out of 5 stars

Jan/Feb 2023

...this is the most thrilling tenor debut in years.

November 2022

This is a fabulous debut disc. I hope you share my excitement, because Tetelman is the real deal.

12th August 2022

The dark, almost baritonal quality of the lower and middle registers and the clarion power on display when it opens up above the stave will likely generate a certain sense of déjà vu for fans of Jonas Kaufmann circa 2005. Dig only slightly deeper, though, and it quickly becomes apparent that Tetelman is very much his own man. One of the appealing things about this recital is his disarming lack of mannerism and willingness to go against interpretative expectations.
Katherine Cooper
View download progress

Download queue