Rameau: Les Fetes d'Hebe - Ballet En und Prologue
Chantal Santon Jeffrey (Hebe), Marie Perbost (L'amour/Egle), Olivia Doray (Une Naide), Judith van Wanroij (Iphise), Renoud van Mechelen (Momus) Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
György Vashegyi, his Purcell Choir and Orfeo Orchestra, with an accomplished group of soloists enliven this musically rewarding score with imagination and rhythmic vitality.
Rameau: Les Fetes d'Hebe - Ballet En und Prologue
Chantal Santon Jeffrey (Hebe), Marie Perbost (L'amour/Egle), Olivia Doray (Une Naide), Judith van Wanroij (Iphise), Renoud van Mechelen (Momus) Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
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György Vashegyi, his Purcell Choir and Orfeo Orchestra, with an accomplished group of soloists enliven this musically rewarding score with imagination and rhythmic vitality.
About
Jean-Philippe Rameau's opra-ballet Les Ftes d'Hb gains a stirring and bright-coloured new recording from a starry line-up of soloists, Gyrgy Vashegyi, his Purcell Choir and Orfeo Orchestra. Though first performed at the end of the 1730s between the two tragdies of Castor et Pollux and Dardanus this work has received much less modern recognition for its qualities than either of the other two, although it had a substantial success with its first run of over 70 performances; an entertainment mixing delight and longing, underpinned by Rameau's colourful and sophisticated orchestration and coupled with his supremely inspired pastoral writing.
Now, with a new edition prepared by Pascal Dencheau (who also writes the booklet essay here), this new production presents modern-day stars of the French Baroque in Chantal Santon Jeffery, Olivia Doray, Judith van Wanroij, Reinoud Van Mechelen, Mathias Vidal and David Witczak.
They all relish in a libretto (peopled by characters from mythology and the Ancient World) which aims at celebrating the artistic aptitudes to be found on the stage of the Opra in Paris:
Poetry, Music and Dance (from which derives the opera's subtitle of "Les Talents lyriques").
This new recording presents the June 1739 version of this opra ballet (whilst embracing changes made in revivals from across subsequent decades), and additionally includes the original version of the second entre, "La Musique".
Contents and tracklist
- Marie Perbost, Chantal Santon Jeffery
- Orfeo Orchestra, Purcell Choir
- György Vashegyi
- Chantal Santon Jeffery, Marie Perbost
- Purcell Choir, Orfeo Orchestra
- György Vashegyi
- Chantal Santon Jeffery, David Witczak
- Orfeo Orchestra
- György Vashegyi
- Chantal Santon Jeffery, Philippe Estèphe
- Orfeo Orchestra
- György Vashegyi
- Olivia Doray, Lóránt Najbauer, Reinoud Van Mechelen
- Purcell Choir, Orfeo Orchestra
- György Vashegyi
- Philippe Estèphe, Chantal Santon Jeffery, David Witczak
- Orfeo Orchestra
- György Vashegyi
- Philippe Estèphe, David Witczak
- Orfeo Orchestra, Purcell Choir
- György Vashegyi
- Olivia Doray, Philippe Estèphe
- Orfeo Orchestra, Purcell Choir
- György Vashegyi
Awards and reviews
September 2022
György Vashegyi, his Purcell Choir and Orfeo Orchestra, with an accomplished group of soloists enliven this musically rewarding score with imagination and rhythmic vitality.
September 2022
There are neither the rustic colours nor the engaging characterisations achieved memorably by Les Arts Florissants but Vashegyi and his orchestra cultivate translucent finesse that is in its own way irresistible.
September 2022
The performance is very much in line with what we’ve come to expect from Vashegyi, which is to say that it is thoroughly idiomatic and eloquently expressive, particularly in more lyrical music, where the strings take on a silky elegance and tender, understated sensuality.