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Vagues et ombres

Collectif9

Vagues et ombres
Yes, there is a certain loss of power and depth of sound at times [in La mer], offset by gains in clarity. It does not replace the original, of course, but is a fascinating examination of it.

Vagues et ombres

Collectif9

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit
Yes, there is a certain loss of power and depth of sound at times [in La mer], offset by gains in clarity. It does not replace the original, of course, but is a fascinating examination of it.

About

Collectif9, well-known for its innovative programming and its unique arrangements of the classical repertory, here tackles the music of Debussy, following a first recording devoted to Mahler (ALPHA770). With Clair de lune, La Mer and Des pas sur la neige, the Montreal collective invites us into a sumptuous theatre of shadows and waves: ‘Could we, as nine string players, perform Claude Debussy’s La Mer and do it justice? In a musical style where timbre and colour are paramount, attempting to interpret this emblematic work seemed outrageous; but come to think of it, we like a challenge. This is certainly a reinterpretation. Being fewer in number allows us to otherwise reveal a rich rhythmic interplay already present in the work while shedding new light on the balance of voices and harmonies.’ A work by composer Luna Pearl Woolf completes the programme: Contact, ‘a sonic view into the underwater world of beluga whales in the St Lawrence Estuary’.

Contents and tracklist

I. De l'aube à midi sur la mer (Arr. for Ensemble by Thibault Bertin-Maghit)
Track length8:30
II. Jeux de vagues (Arr. for Ensemble by Thibault Bertin-Maghit)
Track length7:07
III. Dialogue du vent et de la mer (Arr. for Ensemble by Thibault Bertin-Maghit)
Track length8:48

Spotlight on this release

Awards and reviews

September 2022

Yes, there is a certain loss of power and depth of sound at times [in La mer], offset by gains in clarity. It does not replace the original, of course, but is a fascinating examination of it.
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