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Special offer. Handel: La Resurrezione

Lucy Crowe (Angel), Sophie Bevan (Mary Magdalene), Iestyn Davies (Mary Cleophas), Hugo Hymas (John the Evangelist), Ashley Riches (Lucifer)

The English Concert, Harry Bicket

Awards:

La Resurrezione is one of Handel’s greatest works, and Harry Bicket has gifted us its greatest recording...Bicket and his stellar cast embrace Handel’s radical approach, turning sacred figures...

Special offer. Handel: La Resurrezione

Lucy Crowe (Angel), Sophie Bevan (Mary Magdalene), Iestyn Davies (Mary Cleophas), Hugo Hymas (John the Evangelist), Ashley Riches (Lucifer)

The English Concert, Harry Bicket

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2 CDs

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This release includes a digital booklet

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Awards:

La Resurrezione is one of Handel’s greatest works, and Harry Bicket has gifted us its greatest recording...Bicket and his stellar cast embrace Handel’s radical approach, turning sacred figures...

About

Following their acclaimed recording of Handel’s Rodelinda (BBC Music Magazine Recording of the Month, Gramophone Editor’s Choice), The English Concert and Harry Bicket continue their Handel series with a superb soloist line-up including Sophie Bevan, Iestyn Davies, Ashley Riches, Hugo Hymas and Lucy Crowe. Starting with an unusual verbal altercation between an Angel and Lucifer, Handel’s La Resurrezione is an extraordinary retelling of the three days between Christ’s death and resurrection which is unlike any other Passion or Oratorio. This journey centres around women, Mary Magdalene and Mary Cleophas, in a way that seems very modern, and which mirrors the ambiguities of their feelings in music that is completely original in concept and orchestration. The journey from grief, through hope, to love is wonderfully depicted. The message seems to be that grief is the price we pay for love; and that should be part of the narrative of our lives, not the defining moment.

Contents and tracklist

I. Aria. Disserratevi, o porte d’Averno (Angel)
Track length5:16
II. Recitative. Qual’ insolita luce (Lucifer)
Track length1:14
III. Aria. Caddi, è ver (Lucifer)
Track length3:24
IV. Recitative. Ma che veggio? (Lucifer, Angel)
Track length1:13
V. Aria. D’amor fu consiglio (Angel)
Track length2:54
VI. Recitative. E ben, questo tuo Nume (Lucifer, Angel)
Track length1:28
VII. Aria. O voi, dell’Erebo (Lucifer)
Track length3:05
I. Recitative. Notte, notte funesta (Magdalene)
Track length0:44
II. Aria. Ferma l’ali (Magdalene)
Track length6:16
III. Recitative. Concedi, o Maddalena (Cleophas, Magdalene)
Track length1:03
IV. Aria. Piangete, sì, piangete (Cleophas)
Track length3:08
V. Recitative. Ahi, dolce mio Signore (Magdalene, Cleophas)
Track length1:50
VI. Duet. Dolci chiodi (Magdalene, Cleophas)
Track length3:10
VII. Recitative. O Cleofe, o Maddalena (John, Magdalene)
Track length1:50
VIII. Aria. Quando è parto (John)
Track length5:25
IX. Recitative. Ma dinne, e sarà vero (Cleophas, John, Magdalene)
Track length1:05
X. Aria. Naufragando va per l’onde (Cleophas)
Track length4:44
XI. Recitative. Itene pure, o fide (John, Magdalene)
Track length1:18
XII. Aria. Così la tortorella (John)
Track length4:36
XIII. Recitative. Se Maria dunque spera (Magdalene)
Track length1:02
XIV. Aria. Ho un non so che nel cor (Magdalene)
Track length2:43
I. Recitative. Uscite pure (Angel)
Track length1:17
II. Chorus. Il Nume vincitor (Angel, Chorus of Angels)
Track length2:15
I. Introduction
Track length1:24
II. Recitative. Di quai nuovi portenti (John)
Track length0:40
III. Aria. Ecco il sol, ch’esce dal mare (John)
Track length5:41
IV. Recitative. Ma ove Maria dimora (John)
Track length0:23
I. Aria. Risorga il mondo (Angel)
Track length2:41
II. Recitative. Di rabbia indarno freme (Angel)
Track length0:59
III. Recitative. Misero! ho pure udito? (Lucifer, Angel)
Track length0:38
IV. Aria. Per celare il nuovo scorno (Lucifer)
Track length1:33
V. Recitative. O come cieco il tuo furor delira! (Angel, Lucifer)
Track length0:30
VI. Duet. Impedirlo saprò! (Lucifer, Angel)
Track length0:28
I. Recitative. Amica, troppo tardo (Magdalene, Cleophas)
Track length0:42
II. Aria. Per me già di morire (Magdalene)
Track length6:47
III. Recitative. Ahi, abborrito nome! (Lucifer)
Track length0:52
I. Aria. Vedo il ciel che più sereno (Cleophas)
Track length4:03
II. Recitative. Cleofe, siam giunte al luogo (Magdalene, Cleophas, Angel)
Track length1:26
III. Aria. Se per colpa di donna infelice (Angel)
Track length2:54
IV. Recitative. Mio Gesù, mio Signore (Magdalene)
Track length0:53
V. Aria. Del ciglio dolente (Magdalene)
Track length2:33
VI. Recitative. Sì, sì, cerchiamo pure (Cleophas)
Track length0:21
VII. Aria. Augelletti, ruscelletti (Cleophas)
Track length2:53
I. Recitative. Dove sì frettolosi (John, Cleophas)
Track length1:09
II. Aria. Caro figlio! (John)
Track length5:28
III. Recitative. Cleofe, Giovanni, udite (Magdalene, John, Cleophas)
Track length1:39
IV. Aria. Se impassibile, immortale (Magdalene)
Track length3:51
V. Recitative. Sì, sì, col redentore (John, Cleophas, Magdalene)
Track length0:21
VI. Chorus. Diasi lode in cielo, in terra
Track length1:25

Spotlight on this release

Awards and reviews

July 2022

La Resurrezione is one of Handel’s greatest works, and Harry Bicket has gifted us its greatest recording...Bicket and his stellar cast embrace Handel’s radical approach, turning sacred figures into intensely dramatic ones. Handel gave instruments their own actor-like parts, which The English Concert deliver ravishingly.

Everything has the effect of pulling the listener right inside the human drama of the Easter story crafted by Handel and his Italian librettist. This is not directly Jesus’s story, more the story of his effect on others; like Sophie Bevan’s lyrically grieving Mary Magdalene and Iestyn Davies’ equally eloquent Mary Cleophas (Jesus’s aunt, by some accounts), or Lucy Crowe’s encouraging Angel and the sweetened firebrand of Hugo Hymas’s St John.
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