Special offer. Handel: Apollo e Dafne & Armida abbandonata
Kathryn Lewek (soprano), John Chest (baritone)
Il Pomo d'Oro, Francesco Corti
Her Armida commands vocal muscle and jagged cadenzas, while her Dafne is all limpid purity sprinkled with agréments. The effect is spellbinding….Il Pomo d’Oro do their own shapeshifting, in...
Special offer. Handel: Apollo e Dafne & Armida abbandonata
Kathryn Lewek (soprano), John Chest (baritone)
Il Pomo d'Oro, Francesco Corti
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Her Armida commands vocal muscle and jagged cadenzas, while her Dafne is all limpid purity sprinkled with agréments. The effect is spellbinding….Il Pomo d’Oro do their own shapeshifting, in...
About
Il pomo d’oro and Francesco Corti present Handel’s Apollo e Dafne and Armida abbandonata, together with two outstanding vocalists: soprano Kathryn Lewek (Armida & Dafne) and baritone John Chest (Apollo). Handel composed these two cantatas shortly after his Italian sojourn (1706-1709), and they demonstrate his acquaintance with and aptitude for Italian operatic music. Compared to opera, supporting roles are left out of these relatively compact cantatas, increasing the focus on the main characters, and heightening the expressive depth of their music. Il pomo d’oro performs these pieces with historically-informed ears, lively and colourful. The cantatas alternate with several delightful orchestral pieces by Handel, including several movements from his Almira Suite. Francesco Corti belongs to the most established harpsichordists of his generation, and releases his third PENTATONE release, leading the ensemble from behind the harpsichord. He works together with the multiaward- winning ensemble il pomo d’oro, who also recorded two Bach harpsichord concertos albums with Corti (2020 and 2021), as well as vocal recital albums with PENTATONE: Carnevale 1729 with Ann Hallenberg (2017), as well as Prologue with Francesca Aspromonte (2018). Kathryn Lewek and John Chest both enjoy a flourishing stage career, and make their PENTATONE debut.
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Awards and reviews
April 2022
Her Armida commands vocal muscle and jagged cadenzas, while her Dafne is all limpid purity sprinkled with agréments. The effect is spellbinding….Il Pomo d’Oro do their own shapeshifting, in obbligato lines especially. Instrumental soloists sparkle in their exchanges with Lewek.
March 2022
Every ounce of dramatic characterisation is reaped during confrontational duets.