Help
Skip to main content

Sir William Walton: A Centenary Celebration

Roderick Williams (baritone), Tamsin Dalley (mezzo-soprano), Kevin Whately (narrator), Orchestra of the Swan, Bruce O'Neil

Bruce O’Neil (who serves as Head of Music at the Royal Shakespeare Company) masterminds a commendably communicative display and secures spirited results from his seven-piece ensemble drawn from...

Sir William Walton: A Centenary Celebration

Roderick Williams (baritone), Tamsin Dalley (mezzo-soprano), Kevin Whately (narrator), Orchestra of the Swan, Bruce O'Neil

Purchase product

CD

$19.00

2 available: usually despatched in 3 - 4 working days

Download

From$10.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now Hi-RES 96 kHz, 24 bit
Bruce O’Neil (who serves as Head of Music at the Royal Shakespeare Company) masterminds a commendably communicative display and secures spirited results from his seven-piece ensemble drawn from...

About

"SOMM Recordings’ Sir William Walton – A Centenary Celebration marks the 100th anniversary of the first performance of Edith Sitwell’s era-defining 'entertainment' Façade, coupled with its composer’s thrilling score for Laurence Olivier’s iconic 1944 film version of Shakespeare’s Henry V, on the 600th anniversary of the medieval warrior-king’s death. Baritone and SOMM artist Roderick Williams pairs with mezzo-soprano Tamsin Dalley for a joyful partnership in Façade, while star of television’s Auf Wiedersehen, Pet, Inspector Morse and Lewis, Kevin Whately is the bracing Narrator for Henry V. The Stratford-based Orchestra of The Swan is conducted by the Royal Shakespeare Company’s Head of Music, Bruce O’Neil. First performed in private for a select audience of London’s glitterati in January 1922, Walton adorned Sitwell’s 'experiments in sound' Façade with music of originality and vitality to match the absurdist-leaning poetry. Within a generation, the exhilarating distractions of the Jazz Era had given way to the bleak horror of the Second World War. With Britain at its lowest ebb, Laurence Olivier’s morale-boosting 1944 film version of Henry V was enhanced by one of Walton’s finest, most colourful, dramatic and emotion-laden scores. It is thrillingly realised here in Edward Watson’s chamber version for 11 players. Arranging the work for this relatively small ensemble, Watson creates a remarkable sound brimming with cinematic impact that has been much admired for its blending of the concert platform and theatrical stage. SOMM’s previous Walton releases include his widely admired Symphony No.1 and Belshazzar’s Feast with Adrian Boult conducting the LPO (SOMMCD 094), and the pairing of Walton with his lifelong friend Constant Lambert, Façades (SOMMCD 0614), hailed by The Telegraph as 'an album that brings the Roaring Twenties to life', and MusicWeb International as 'an absolute gem of a disc in every regard'."

Contents and tracklist

Fanfare
Track length0:36
No. 1, Hornpipe
Track length1:19
No. 2, En famille
Track length2:52
No. 3, Mariner Man
Track length0:39
No. 4, Long Steel Grass
Track length2:13
No. 5, Through Gilded Trellises
Track length2:19
No. 6, Tango-Pasodoblé
Track length1:54
No. 7, Lullaby for Jumbo
Track length1:44
No. 8, Black Mrs. Behemoth
Track length1:05
No. 9, Tarantella
Track length1:22
No. 10, The Man from a Far Countree
Track length1:31
No. 11, By the Lake
Track length1:47
No. 12, Country Dance
Track length1:59
No. 13, Polka
Track length1:15
No. 14, Four in the Morning
Track length2:16
No. 15, Something Lies Beyond the Scene
Track length1:01
No. 16, Valse
Track length3:18
No. 17, Yodelling Song
Track length2:34
No. 18, Scotch Rhapsody
Track length1:18
No. 19, Popular Song
Track length2:01
No. 20, Fox-Trot (Old Sir Faulk)
Track length2:02
No. 21, Sir Beelzebub
Track length1:17

Awards and reviews

April 2022

Bruce O’Neil (who serves as Head of Music at the Royal Shakespeare Company) masterminds a commendably communicative display and secures spirited results from his seven-piece ensemble drawn from Stratford-upon-Avon’s Orchestra of the Swan.
View download progress