Help
Skip to main content

Korngold: String Quartet Nos. 2, Op. 26 & No. 3, Op. 34

Alma Quartet

This is a so-called ‘direct to disc’ recording: the pieces are played straight through in a studio, unedited, to simulate the freshness and adrenaline-rush of a live concert. While there are...

Korngold: String Quartet Nos. 2, Op. 26 & No. 3, Op. 34

Alma Quartet

Purchase product

CD

$18.50

5 available: usually despatched in 3 - 4 working days

Download

From$11.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$15.00

320 kbps, MP3

$11.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
This is a so-called ‘direct to disc’ recording: the pieces are played straight through in a studio, unedited, to simulate the freshness and adrenaline-rush of a live concert. While there are...

About

The first volume of the Alma Quartet's complete survey of Korngold's string quartets.

Erich Wolfgang Korngold (1897-1957) was a genius. Naturally he was most widely known and rewarded as one of the founding composers of Hollywood film music, but he is not a particularly well-known composer in the classical music world. His three string quartets are surely masterpieces and can be seen as modern tone poems imbued with beautiful melancholy and Viennese charm. A child prodigy, Korngold wrote some of the most heart-wrenching melodies, which are sure to leave any listener longing for more.

His String Quartet No. 2, Op. 26 (1933) was written just before Korngold moved to Hollywood and is full of musical imagery of Vienna, with gestures towards the waltzes of Johan Strauss II as well as the intricate lyricism of Richard Strauss. A fierce anti-serialist, Korngold was determined that it was still possible to stretch the boundaries of tonality without adapting to the 12-tone technique.

The String Quartet No. 3, Op. 34 (1945) is full of themes that he used in his film scores and was written when Korngold was suffering from deep depression. The quartet is much darker.

Why did we choose to tackle Korngold's music for this unique project of a direct-to-disc recording on vinyl? The music resonates deeply with us, as it represents the epitome of late romanticism and lyrical expression. We all have a profound love for romantic music and after listening to some recordings of his quartets we knew instantly these were the perfect fit for us. It was definitely a challenge to understand the idiom in Korngold's writing. Our individual personalities as well as the Alma sound is clearly audible.

What makes a direct-to-disc recording so special? Without doubt, it is the most honest way of recording. What you hear is what you get, with no editing whatsoever. It is thus a studio recording with all of the nuances and thrill of a live performance. Evidently, the process is extremely strenuous and challenging. You want to make sure that the performance is as perfect as can be, but you also have to take into account the fact that perfection is simply not feasible. But the question is whether or not perfection is truly exciting and honest. Korngold's music was by now deeply embedded in our DNA and we knew how to tell the story!

Contents and tracklist

Allegro
Track length6:15
Intermezzo - Allegretto con moto
Track length3:51
Larghetto - Lento
Track length8:00
Waltz (Finale) - Tempo di Valse
Track length5:45
Allegro moderato
Track length6:45
Scherzo - Allegro molto
Track length4:25
Sostenuto. Like a Folk Tune
Track length8:56
Finale - Allegro
Track length5:32

Awards and reviews

February 2022

This is a so-called ‘direct to disc’ recording: the pieces are played straight through in a studio, unedited, to simulate the freshness and adrenaline-rush of a live concert. While there are small technical glitches here and there, it largely succeeds; so, too, does the group’s ‘storytelling’ approach to the works in hand.
View download progress