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Special offer. Beethoven: Violin Sonatas

Christian Tetzlaff (violin), Lars Vogt (piano)

Beethoven: Violin Sonatas

Awards:

Christian Tetzlaff and Lars Vog t make a formidable team: technically right at the top of their game (Tetzlaff’s bow control is phenomenal), and yet at the same time always managing to convey...

Special offer. Beethoven: Violin Sonatas

Christian Tetzlaff (violin), Lars Vogt (piano)

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CD

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96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Christian Tetzlaff and Lars Vog t make a formidable team: technically right at the top of their game (Tetzlaff’s bow control is phenomenal), and yet at the same time always managing to convey...

About

The award-winning duo ensemble formed by Christian Tetzlaff and Lars Vogt are returning to the masterworks of European chamber music with this new album that includes Ludwig van Beethoven’s (1770–1827) three violin sonatas Op. 30. The expressive and intimate chamber music recordings by the star duo have gathered numerous awards and their previous album also received an ECHO Klassik award in 2017.

Contents and tracklist

I. Allegro
Track length7:00
II. Adagio molto espressivo
Track length6:50
III. Allegretto con variazioni
Track length7:28
I. Allegro con brio
Track length7:11
II. Adagio cantabile
Track length8:33
III. Scherzo. Allegro
Track length3:00
IV. Finale. Allegro
Track length5:07
I. Allegro assai
Track length6:06
II. Tempo di minuetto, ma molto moderato e grazioso
Track length6:49
III. Allegro vivace
Track length3:13

Awards and reviews

  • International Classical Music Awards
    2022
    Nominated - Chamber Music

January 2022

Christian Tetzlaff and Lars Vog t make a formidable team: technically right at the top of their game (Tetzlaff’s bow control is phenomenal), and yet at the same time always managing to convey the notion of taking risks.

Jan/Feb 2022

It’s very attractive how these readings nod to the Classical foundation of the op. 30 while remaining alert to the touches that make them seem so much to belong to Beethoven.

December 2021

This is chamber-playing at its most humane; impossible to hear without feeling a renewed love and admiration for music and performers alike.
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