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Buxtehude: Complete Chamber Music

Catherine Manson (violin), David Rabinovich (violin), Jonathan Manson (viola da gamba), Paolo Pandolfo (viola da gamba), Christine Sticher (violone); Mike Fentross (lute)

Koopman has assembled an ensemble of intelligent and intensely musical collaborators, and their individual styles mesh well. Moreover, the recorded sound is warm and intimate, but still clear,...

Buxtehude: Complete Chamber Music

Catherine Manson (violin), David Rabinovich (violin), Jonathan Manson (viola da gamba), Paolo Pandolfo (viola da gamba), Christine Sticher (violone); Mike Fentross (lute)

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Koopman has assembled an ensemble of intelligent and intensely musical collaborators, and their individual styles mesh well. Moreover, the recorded sound is warm and intimate, but still clear,...

About

This superb collection of Buxtehude's entire chamber music output is extracted from Ton Koopman's award-winning recordings of Buxtehude's Complete Works.

Dieterich Buxtehude's chamber works today counts among the least known of his compositions. They were already forgotten soon after 1700, and this despite the fact that two third of Buxtehude's chamber sonatas, unlike any other category in the composers creative output, were published during his lifetime. The publication of sonatas indicates that there was a market for this repertoire in the later 17th century. Moreover, the publication of two sets of such works suggests that the fame of the Lbeck master and the success of the first set must have created the demand for a second. However, the primary reason for these works getting out of fashion by the time of Buxtehude's death was their unconventional instrumental scoring and, more importantly, the triumphant rise of the modern Italian trio sonata by Corelli, Albinoni, and others in the early 18th century.

Buxtehude's chamber music repertoire consists of altogether twenty-two works. All of Buxtehude's chamber works present highly sophisticated compositions that belong among the most attractive and technically most demanding examples of the genre of ensemble sonata, then still in its infancy. They resemble in many ways the six sonatas of the Hortus musicus (Hamburg, 1688) by Buxtehude's colleague and friend, Johann Adam Reinken, organist at St. Catherine's Church in Hamburg. But like Reinken's pieces, they were influenced by Italian models, especially the instrumental sonatas by the Venetian composer Giovanni Legrenzi (1626-1690), which were circulating widely also in Northern Europe. At the same time, they deeply reflect the improvisational, fanciful, expressive and colorful mannerisms of Buxtehude and his school, which the writer Johann Mattheson in 1739 referred to as "stylus fantasticus".

Artists:

Catherine Manson - Violin Ton Koopman David Rabinovich - Violin Jonathan Manson - Viola Mike Fentross - Lute Christine Sticher - Violone

Contents and tracklist

Sonata in F op. 1 nr. 1 BuxWV 252
Track length9:21
Sonata in G op. 1 nr. 2 BuxWV 253
Track length7:14
Sonata in a op. 1 nr. 3 BuxWV 254
Track length10:14
Sonata in B op. 1 nr. 4 BuxWV 255
Track length8:04
Sonata in C op. 1 nr. 5 BuxWV 256
Track length8:23
Sonata in d op. 1 nr. 6 BuxWV 257
Track length9:33
Sonata in e op. 1 nr. 7 BuxWV 258
Track length7:00
Sonata in B flat op.2 nr.1 BuxWV 259
Track length8:27
Sonata in D op.2 nr.2 BuxWV 260
Track length14:16
Sonata in g op.2 nr. 3 BuxWV 261
Track length13:18
Sonata in c op.2 nr. 4 BuxWV 262
Track length8:19
Sonata in A op.2 nr. 5 BuxWV 263
Track length10:41
Sonata in E op.2 nr. 6 BuxWV 264
Track length9:30
Sonata in F op.2 nr. 7 BuxWV 265
Track length8:51

Awards and reviews

March/April 2022

Koopman has assembled an ensemble of intelligent and intensely musical collaborators, and their individual styles mesh well. Moreover, the recorded sound is warm and intimate, but still clear, and the eminent musicologist Christoph Wolff has supplied a concise, readable, and erudite liner essay. Highly recommended.
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