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Alastair White: Woad

Kelly Poukens, Suzy Vanderheiden

Alastair White: Woad
White’s intelligent use of the saxophone’s wide-ranging palette means that the scoring never feels under nourished. Saxophonist Suzy Vanderheiden handles the responsibility well, sensitively...

Alastair White: Woad

Kelly Poukens, Suzy Vanderheiden

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This release includes a digital booklet

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White’s intelligent use of the saxophone’s wide-ranging palette means that the scoring never feels under nourished. Saxophonist Suzy Vanderheiden handles the responsibility well, sensitively...

About

This unique and intriguing work is one of four ‘fashion-operas’ by Scottish composer Alastair White (b.1988) and this audio version follows the release in February 2021 of the opera ROBE which has attracted much praise. White’s work is advanced not only in its musical sound-world but also in his self-penned librettos which transform the story into surrealist and impressionist poetry.

The work might also be classified, more traditionally as a song cycle or solo cantata but with its clever staging and set, it is definitely an opera despite its imaginative use of only a single singer with an alto sax, an instrument which can as needed either blend beautifully with the voice or create dynamic contrast.

The work is based on the ballad of Tam Lin (Tamlane), originating in the Scottish Borders, in which Tam Lin is rescued from the Queen of the Fairies by his true love. Here he has been bewitched and transformed into other forms. But is it his body which changes, or the world around him? Reality may not be as clear as we believe in a multiverse of endless possibility. (The legend should not be confused with that of Tamerlane, a different story!)

Alastair White’s work has been described as ‘virtuosic’ (Winnipeg Free Press) and ‘passionately atonal’ (Gramophone). His work has been shortlisted for several art awards. Belgian soprano Kelly Poukens and saxophonist Suzy Vanderheiden are building fine reputations as virtuosos in busy and distinguished careers.

A full video of the opera will be available for streaming in 2022.

Contents and tracklist

I. Everything Is Always Possible
Track length5:52
II. Superposition
Track length12:25
IV. Tam's Speech
Track length3:58
V. Interim. The Painted Ones
Track length7:23
VI. The Light That
Track length5:06
VII. The Transformation of Tam Lin
Track length16:01

Awards and reviews

November 2021

White’s intelligent use of the saxophone’s wide-ranging palette means that the scoring never feels under nourished. Saxophonist Suzy Vanderheiden handles the responsibility well, sensitively duetting with the vocal line in ‘The Light That’ and maintaining tension during the repetitive ‘Superposition’.

Jan/Feb 2022

White seems to have created not just his own voice within opera, but his own type of opera as well. It is a magnificent achievement to do so, and its manifestation here in WOAD is the height of compositional magnificence, performed by two musicians at the very peak of their powers. The recording is everything one could wish for: vivid, present, detailed. Unhesitatingly recommended to the brave.
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