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Special offer. Jommelli: Il Vologeso

Stuart Jackson (tenor), Gemma Summerfield (soprano), Tom Verney (countertenor), Rachel Kelly (mezzo-soprano), Jennifer France (soprano), Angela Simkin (mezzo-soprano), Richard Kelly (mezzo-soprano), The Mozartists, Ian Page

Jommelli: Il Vologeso
What commends this one-off concert version of Il Vologeso is its raw energy...In Jommelli’s multisection finale, Page springs loads of surprises and paces his dynamics superbly. Although unpolished,...

Special offer. Jommelli: Il Vologeso

Stuart Jackson (tenor), Gemma Summerfield (soprano), Tom Verney (countertenor), Rachel Kelly (mezzo-soprano), Jennifer France (soprano), Angela Simkin (mezzo-soprano), Richard Kelly (mezzo-soprano), The Mozartists, Ian Page

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What commends this one-off concert version of Il Vologeso is its raw energy...In Jommelli’s multisection finale, Page springs loads of surprises and paces his dynamics superbly. Although unpolished,...

About

The Mozartists continue their MOZART 250 project of staging operas by Mozart and his contemporaries with their recording of the UK premiére of Niccolò Jommelli’s Il Vologeso, first performed over 250 years ago on 11 February 1766 for the Stuttgart court in Ludwigsburg. For this eagerly awaited performance The Mozartists assembled a superb young cast, headed by the Irish mezzo-soprano Rachel Kelly, a graduate of the Royal Opera’s Jette Parker Young Artist Programme, tenor Stuart Jackson, a former Mozartists Associate Artist, and soprano Gemma Lois Summerfield, winner of the 2015 Kathleen Ferrier Award.

Jommelli was born just north of Naples in 1714 (the same year as Gluck) and died there in 1774. Largely forgotten now, he was one of the most celebrated composers of his day, and during a career which spanned thirty-seven years he wrote some eighty operas as well as a great number of sacred works. He was seen as an important and progressive composer in combining the vocal melodiousness and lyricism of Italian opera with more elaborate and dramatically charged elements of French opera.

Set in Ephesus, on the western extremes of the Parthian Empire, in c.164 AD, Il Vologeso centres on Berenice, a woman who becomes caught between two men – the victorious Roman general Lucio Vero, and Vologeso, King of the Parthians (thought dead, but recently returned after his defeat battle).

The Mozartists, under the dynamic leadership of conductor and artistic director Ian Page, are leading exponents of the music of Mozart and his contemporaries. Originally called Classical Opera, the company was founded in 1997, and has received widespread international acclaim for its stylish and virtuosic period-instrument orchestra, its imaginative and innovative programming, and its ability to nurture and develop world-class young artists.

Contents and tracklist

Overture
Track length5:50
Recitativo: “Regina, assai donasti di costanza”
Track length3:43
No. 2, Aria: “Invan minacci, e credi vincer”
Track length6:33
Recitativo: “Aniceto… Signore”
Track length1:40
No. 3, Aria: “Luci belle, più serene, più tranquille”
Track length5:08
Recitativo accompagnato: “Lunge, inutili pianti”
Track length1:38
No. 4, Aria: “Se vive il mio bene”
Track length5:55
Recitativo: “Efeso è questo”
Track length3:20
No. 5, Aria: “Tutti di speme al core”
Track length5:02
Recitativo: “Lucio colla sua corte”
Track length0:22
No. 6, Aria: “Crede sol che a nuovi ardori”
Track length6:46
Recitativo: “Fan fede, o Berenice”
Track length0:34
No. 7a, Sinfonia
Track length0:45
Recitativo accompagnato: “Che miro!”
Track length1:49
Recitativo: “Flavio, tradita io sono”
Track length1:59
No. 7, Quartetto: “Quel silenzio... Quel sospiro”
Track length5:41
Recitativo: “Il tuo cenno è compito”
Track length0:37
No. 8, Aria: “So ben comprenderti”
Track length5:55
Recitativo: “Che si chiede da me?”
Track length3:16
No. 9, Aria: “Sei tra’ ceppi, e insulti ancor?”
Track length3:40
No. 10, Aria: “Cara, deh serbami”
Track length5:58
Recitativo: “A Cesare n’andrò”
Track length1:13
Recitativo accompagnato: “Io sì vicino il colpo non credea”
Track length1:49
No. 11, Aria: “Tu chiedi il mio core”
Track length4:07
Recitativo: “Seguila; ed il suo core”
Track length0:22
Recitativo accompagnato: “De’ miei desiri ormai”
Track length2:51
No. 12, Cavatina: “Che faro?... Privarmi io deggio”
Track length2:13
Recitativo: “E Aniceto parlò?”
Track length1:22
Recitativo: “Dunque, Augusto, concedi”
Track length1:25
Recitativo accompagnato: “Perfido, ah taci”
Track length1:04
No. 14, Aria: “Partirò, se vuoi così”
Track length3:52
Recitativo: “Partì… Respiro”
Track length1:43
Recitativo accompagnato: “Vieni a svellerlo dunque a me dal petto”
Track length1:40
No. 15, Terzetto: “Se fida m’adora, penando si mora”
Track length5:16
Recitativo: “Augusta… E ben, Flavio, che rechi?”
Track length2:35
No. 16, Aria: “Uscir vorrei d’affanno”
Track length5:12
No. 17a, Recitativo accompagnato: “Udiste, affetti miei?”
Track length2:27
Recitativo: “Vologeso, che pensi?”
Track length1:52
Recitativo: “Signor, come imponesti Berenice verrà”
Track length0:33
Recitativo accompagnato: “Berenice, ove sei?”
Track length5:02
No. 19, Aria: “Ombra, che pallida”
Track length3:08
Recitativo: “Troppo il dolor l’affanna”
Track length0:40
Marcia e recitativo accompagnato: “Ma che ascolto!”
Track length3:00
No. 20, Arioso: “Su quel caro volto esangue”
Track length1:16
No. 21, Sinfonia e recitativo: “Mira i doni quai sono”
Track length4:19
No. 22 Finale: ”Al mare invitano”
Track length3:12

Awards and reviews

November 2021

What commends this one-off concert version of Il Vologeso is its raw energy...In Jommelli’s multisection finale, Page springs loads of surprises and paces his dynamics superbly. Although unpolished, this Il Vologeso is a gem.

November 2021

The cas ti excellent. Stuart Jackson, so impressive at this year’s Proms as the Evangelist in Bach’s St Matthew Passion, reveals all the facets of Verus’s troubled character...This is a fine achievement by The Mozartists and Ian Page.

March 2022

As a generalized impression Page’s version seems to me to have one distinct advantage over the Bernius. Quite simply his version has more theatricality, more dramatic intensity, Bernius too often sounding neat and lightweight in comparison...The best performance is the tenor Stuart Jackson’s of the title role, strongly sung with great conviction and only an occasional sense of strain.

16th September 2021

The cast, also including Rachel Kelly in the title role and Angela Simkin as fierce Lucilla, rises to the demanding writing, with Stuart Jackson tackling Lucio Vero’s angry vocal pyrotechnics fearlessly. As Page gamely points out, the recording wasn’t intended for release, so there were no post-performance retakes. But it’s worth ignoring the occasional smudgy moment for this lively introduction to Jommelli’s music.
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