Żeleński: Chamber Works
Anna Kamińska (piano), Paweł Polak (violin), Grzegorz Vytlacil (cello), Adrian Stanciu (viola), Trio Lontano
Awards:
-
International Classical Music Awards, 2022, Nominated - Chamber Music
Trio Lontano and violist Adrian Stanciu do Zelenski proud in the centenary of the Pole’s death. The Trio has an easygoing lyricism to it, while the Quartet is a work of darker late-Romantic...
Żeleński: Chamber Works
Anna Kamińska (piano), Paweł Polak (violin), Grzegorz Vytlacil (cello), Adrian Stanciu (viola), Trio Lontano
Purchase product
Awards:
-
International Classical Music Awards, 2022, Nominated - Chamber Music
Trio Lontano and violist Adrian Stanciu do Zelenski proud in the centenary of the Pole’s death. The Trio has an easygoing lyricism to it, while the Quartet is a work of darker late-Romantic...
About
On 23 January 2021, the music world celebrated the hundredth anniversary of the death of Wladyslaw Zelenski, the founder and long-term director of the Conservatory of Music in Cracow and one of the most outstanding representatives of the Romantic era in Poland. The present album contains studio recordings of two great chamber music works, showing the excellent compositional technique of the Polish artist.
The recordings of both works vividly make us aware of the enormous potential of Zelenski as a composer. What is more, each of the pieces, despite their apparent simplicity and formal transparency, is marked by a large dose of individualism and expressive and emotionally distinctiveness. All this makes the aforementioned works by Zelenski one of the greatest showpieces in the history of chamber music in the world.
Contents and tracklist
- Anna Kamińska (piano), Paweł Polak (violin), Grzegorz Vytlacil (cello)
- Trio Lontano
- Adrian Stanciu (viola), Anna Kamińska (piano), Paweł Polak (violin), Grzegorz Vytlacil (cello)
- Trio Lontano
Awards and reviews
-
International Classical Music Awards2022Nominated - Chamber Music
September 2021
Trio Lontano and violist Adrian Stanciu do Zelenski proud in the centenary of the Pole’s death. The Trio has an easygoing lyricism to it, while the Quartet is a work of darker late-Romantic hues