Franz Xaver Mozart: Variations
Andriy Dragan (piano)
Awards:
-
Presto Editor's Choice, June 2021
Mozart Junior’s at his most inventive when the source-material is least inspired here, treating a motif from his father’s Don Giovanni with understandably cautious reverence but having a ball...
Franz Xaver Mozart: Variations
Andriy Dragan (piano)
Purchase product
Awards:
-
Presto Editor's Choice, June 2021
Mozart Junior’s at his most inventive when the source-material is least inspired here, treating a motif from his father’s Don Giovanni with understandably cautious reverence but having a ball...
About
Already at my early stage of pianist, I felt especially drawn to the compositions of Franz Xaver Mozart, the younger of Wolfgang Amadeus’s two sons. His music touched my soul, sincere and joyful, yet reveling the heart of a man in despair. Despite his long¬term musical success and his undeniable impact on the multicultural life of Galicia, Franz Xaver has remained to this day in the shadow of his famous father who died so young.
It was F. X. Mozart’s Piano Concerto No. 1 in C major that I played with the INSO Lviv Orchestra on my first concert tour through Switzerland. Today, Switzerland has become my second home, and it is here that I have made this CD. It has long been a dream of mine to offer these musical jewels to a broader public. So I should like to express my sincere thanks to everyone who has helped me to realise this CD project to present the Piano variations of the “Lviv Mozart” on the occasion of his 230th birthday.
Contents and tracklist
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
- Andriy Dragan (piano)
Awards and reviews
-
Presto Editor's ChoiceJune 2021
June 2021
Mozart Junior’s at his most inventive when the source-material is least inspired here, treating a motif from his father’s Don Giovanni with understandably cautious reverence but having a ball fashioning a silk purse from the four-square, sow’s ear-ish theme from Henri-Montan Berton’s Aline, reine de Golconde. Dragan’s investment, however, never falters throughout the programme, with oodles of flair in the folk-song sets and flashes of impish humour in the closing Diabelli Variations.