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Tchaikovsky: Symphonies Nos. 2 & 4

Tonhalle-Orchester Zürich, Paavo Järvi

Tchaikovsky: Symphonies Nos. 2 & 4
It is the Little Russian (so-called for its preponderance of songs from the Ukraine) that impresses most...Järvi jumps in enthusiastically, feet first, the Tonhalle entirely with him. Järvi...

Tchaikovsky: Symphonies Nos. 2 & 4

Tonhalle-Orchester Zürich, Paavo Järvi

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It is the Little Russian (so-called for its preponderance of songs from the Ukraine) that impresses most...Järvi jumps in enthusiastically, feet first, the Tonhalle entirely with him. Järvi...

About

Principal Conductor and Music Director of the Tonhalle-Orchester Zürich since October 2019, Paavo Järvi continues his complete cycle of Tchaikovsky’s symphonies, following a first volume devoted to Symphony no.5 and the symphonic poem Francesca da Rimini . This second volume features Symphonies nos. 2 and 4. The Fourth, composed in 1878 and nicknamed the ‘Fate’ Symphony because of its sombre colouring, which may recall the neuroses attributed to Tchaikovsky, is one of his most frequently performed. The Second Symphony, composed in 1872 and much less frequently performed in concert, is known as the ‘Little Russian’ because Tchaikovsky drew on Ukrainian folk tunes. The very first movement begins with a solo horn version of the folksong ‘Down by Mother Volga’…

Contents and tracklist

I. Andante sostenuto - Allegro vivo
Track length10:36
II. Andantino marziale, quasi moderato
Track length6:36
III. Scherzo. Allegro molto vivace
Track length5:07
IV. Finale. Moderato assai - Allegro vivo
Track length10:12
I. Andante sostenuto - Moderato con anima, in movimento di valse
Track length18:47
This track is only available as an album download.
II. Andantino in modo di canzona
Track length10:04
III. Scherzo (Pizzicato ostinato - Allegro)
Track length5:26
IV. Finale. Allegro con fuoco
Track length9:17

Awards and reviews

June 2021

It is the Little Russian (so-called for its preponderance of songs from the Ukraine) that impresses most...Järvi jumps in enthusiastically, feet first, the Tonhalle entirely with him. Järvi brings a fine and convincing sense of shape to this symphony, the dynamics sculpted, exaggerated yet illuminating and full of clarity.

June 2021

Järvi is to be congratulated for producing a Fourth that stands out for its individuality, and this recording certainly warrants repeated listening.
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