In the socio-economic and ideological shadow of the political revolt of May '68, a group of composers mainly trained at the Paris National Conservatory of Music made an irreversible turn in the understanding of sound and composition as early as the beginning of the seventies. With the support of two research, training, experimentation and interpretation organs, as relevant in the Central European academic music scene as could be the Ensemble L'Itinéraire and the Institute de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris, this group of creators materialized and responded to an aesthetic and technical concern for the internal sound behaviour, which we could find in other composers, such as Iannis Xenakis or Giacinto Scelsi. Once this first spectral wave has been collected and generated from a nucleus as deep-rooted and strengthened as the Parisian, the aesthetics, techniques and applications are diversified.

Artists

Alfonso Rubio (flute), Carlos Lacruz (clarinet), Julio Moguer (piano), Rafael Muñoz-Torrero (violin), Dieter Nel (cello), José Manuel Martínez (violin), Silvia Spinnato (soprano), Javier Trigos (clarinet), Gilles Midoux (percussion), Francisco Escalante (percussion), Zahir Ensemble, Juan García Rodríguez