Rameau: Les Boréades
Hélène Guilmette, Emmanuelle De Negri, Mathias Vidal, Sébastien Droy, Edwin Crossley-Mercer, Christopher Purves, Yoann Dubruque, Le concert d'Astrée, Emmanuelle Haïm
There is little to complain about musically. Like all decent French period instrument bands, Emmanuelle Haïm’s Le Concert D’Astrée relishes the colour and richness of a score that seems more...
Rameau: Les Boréades
Hélène Guilmette, Emmanuelle De Negri, Mathias Vidal, Sébastien Droy, Edwin Crossley-Mercer, Christopher Purves, Yoann Dubruque, Le concert d'Astrée, Emmanuelle Haïm
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There is little to complain about musically. Like all decent French period instrument bands, Emmanuelle Haïm’s Le Concert D’Astrée relishes the colour and richness of a score that seems more...
About
Les Boréades, this great life lesson delivered by a nearly 80-year-old Rameau, a carpe diem forged to the very essence of the dances, orders us to choose love over power, freedom over love. The most striking thing is without a doubt the intelligence of an actor’s direction that osmotically blends music, theater and ballet, encompassing expression, sensitivity, humor, narration and psychology in a single gesture. Already present at the head of her Concert d’Astrée for Castor et Pollux in 2014, Emmanuelle Haïm returns for these Boréades, asserting herself as a great interpreter of Rameau. A variety of colors and dynamics, sensitivity and power, jubilant expressiveness, music that is cheerful and radiant, whispers and rumbles. The jubilant sounds of the orchestra are matched by the tremendous energy of the Concert d’Astrée choir: added to their dazzling vocal performance is the astonishing theatrical dimension of Barrie Kosky.
Contents and tracklist
Awards and reviews
January 2022
There is little to complain about musically. Like all decent French period instrument bands, Emmanuelle Haïm’s Le Concert D’Astrée relishes the colour and richness of a score that seems more remarkable on each hearing, producing fine playing in all departments.