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Shostakovich: Symphony No. 11

Swr Symphonieorchester, Eliahu Inbal

Shostakovich: Symphony No. 11
You would expect a seasoned Mahlerian such as Eliahu Inbal to offer an emotive response to this extraordinary symphony but I really hadn’t anticipated quite how powerfully he and his young orchestra...

Shostakovich: Symphony No. 11

Swr Symphonieorchester, Eliahu Inbal

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This release includes a digital booklet

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You would expect a seasoned Mahlerian such as Eliahu Inbal to offer an emotive response to this extraordinary symphony but I really hadn’t anticipated quite how powerfully he and his young orchestra...

About

This is the first release from the recently formed SWR Symphonieorchester Stuttgart, and there was good reason for it to be a performance of a Shostakovich symphony. This live recording under the experienced baton of Eliahu Inbal shows the extraordinary level at which this orchestra is performing after only five years of existence! Shostakovich’s 11th Symphony focuses on the so-called St Petersburg Bloody Sunday which, according to the Julian calendar, took place on 9 January 1905. Following the format of a classical symphony, the work has four movements; these follow one another without a break, creating a continuous narrative flow. There’s no denying that the 11th Symphony is not a symphony in the classic sense but rather a symphonic poem or programme symphony. Shostakovich always needed an external subject for his compositions to express the central idea of his music. The SWR Symphonieorchester Stuttgart powerfully expresses the underlying ideas of the work with complete conviction.

Contents and tracklist

I. The Palace Square. Adagio
Track length13:32
II. The Ninth of January. Allegro
Track length18:09
III. Eternal Memory. Adagio
Track length11:07
IV. Tocsin. Allegro non troppo
Track length15:26

Awards and reviews

June 2021

You would expect a seasoned Mahlerian such as Eliahu Inbal to offer an emotive response to this extraordinary symphony but I really hadn’t anticipated quite how powerfully he and his young orchestra (the SWR Symphonieorchester Stuttgart is only five years old) would lay bare the subtext of the piece.
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