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Liszt: Buch der Lieder - Geharnischte Lieder

Complete Piano Vol. 57

Alexandre Dossin (piano)

Alexander Dossin has gotten consistently favorable reviews in Fanfare, and this release lives up to expectations with its supple and subtle rubato, its sensitivity to harmonic nuance, its artful...

Liszt: Buch der Lieder - Geharnischte Lieder

Complete Piano Vol. 57

Alexandre Dossin (piano)

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This release includes a digital booklet

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Alexander Dossin has gotten consistently favorable reviews in Fanfare, and this release lives up to expectations with its supple and subtle rubato, its sensitivity to harmonic nuance, its artful...

About

It was natural for virtuoso performer Franz Liszt to expand his repertoire by transcribing his songs for solo piano. The human voice is the purest of musical instruments, and composers have always been inspired by its warmth, expression and emotional power. Liszts masterful command of the piano and his ability to transform vocal lines into purely instrumental sounds is evident throughout this album: the dramatic narrative in both versions of Die Loreley, the watery, arpeggiated texture of Am Rhein im schönen Strome and the orchestral qualities of Gastibelza being only a few examples of these pianistic treasures.

Contents and tracklist

No. 1, Die Loreley
Track length7:00
No. 2, Am Rhein im schönen Strome
Track length3:00
No. 3, Mignons Lied
Track length7:09
No. 4, Der König von Thule
Track length3:35
No. 5, Der du von dem Himmel bist
Track length5:28
No. 6, Angiolin
Track length6:28
No. 1, Oh! Quand je dors, S. 536
Track length6:19
No. 2, Comment, disaient-ils, S. 535
Track length3:01
No. 3, Enfant, si j'étais roi, S. 537
Track length4:27
No. 4, S'il est un charmant gazon, S. 538
Track length3:46
No. 5, La tombe et la rose, S. 539
Track length4:20
No. 6, Gastibelza, S. 540
Track length6:08
No. 1, Vor der Schlacht
Track length1:37
No. 2, Nicht gezagt
Track length3:27
No. 3, Es rufet Gott uns mahnend
Track length2:21

Awards and reviews

September/October 2021

Alexander Dossin has gotten consistently favorable reviews in Fanfare, and this release lives up to expectations with its supple and subtle rubato, its sensitivity to harmonic nuance, its artful phrasing, and its unfailing sense of the shape of Liszt’s utterances.
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