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Special offer. Poison d'Amour

Oksana Volkova (mezzo), Kaunas City Symphony Orchestra, Constantine Orbelian

Poison d'Amour

Awards:

‘Poison d’amour’ is that rarity, a recital disc where interest is nicely balanced between the singer and the song…She opens with ‘O ma lyre immortelle’ from Gounod’s Sapho, where the awakening...

Special offer. Poison d'Amour

Oksana Volkova (mezzo), Kaunas City Symphony Orchestra, Constantine Orbelian

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CD

Original price $22.75 Reduced price $17.06

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From Original price $9.25 Reduced price $6.50

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($17.50) Reduced price $12.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

‘Poison d’amour’ is that rarity, a recital disc where interest is nicely balanced between the singer and the song…She opens with ‘O ma lyre immortelle’ from Gounod’s Sapho, where the awakening...

About

This richly rewarding album is Oksana Volkova’s first solo album on Delos, though she appeared alongside the late, great Dmitri Hvorostovsky in Delos’s GRAMMY®-nominated 2017 release of Verdi’s complete Rigoletto. Here she delivers powerful, passionate and ravishing performances of (mostly) well-known French, Italian, Russian and Belarusian arias for mezzo-soprano. The composers include Bizet, Thomas, Saint-Sae¨ns, Gounod, Cilea, Massenet and Mascagni; Russian masters heard here are Rimsky-Korsakov, Mussorgsky and Tchaikovsky, alongside a rare treat: an arresting aria by Belarusian composer Dmitri Smolsky, whose music is almost completely unknown in the West. Glowing instrumental collaboration, as usual, comes courtesy of Maestro Constantine Orbelian, leading his trusty Kaunas City Symphony Orchestra.

Contents and tracklist

Awards and reviews

  • Opera
    July 2021
    Disc of the Month

July 2021

‘Poison d’amour’ is that rarity, a recital disc where interest is nicely balanced between the singer and the song…She opens with ‘O ma lyre immortelle’ from Gounod’s Sapho, where the awakening recitative ‘Où suis je?’ alerts us straight away to her personal, smoked-steel, unmistakeably Slavonic timbre.
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