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Strauss: Ariadne Auf Naxos

Johan Botha (Bacchus), Soile Isokoski (Ariadne), Daniela Fally (Zerbinetta), Sophie Koch (Komponist)

Wiener Staatsoper, Christian Thielemann

Awards:

The set’s chief glory is arguably the playing of the musicians of the State Opera Orchestra: every solo line is exquisitely crafted and beautifully integrated, for which Thielemann must of course...

Strauss: Ariadne Auf Naxos

Johan Botha (Bacchus), Soile Isokoski (Ariadne), Daniela Fally (Zerbinetta), Sophie Koch (Komponist)

Wiener Staatsoper, Christian Thielemann

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2 CDs

$19.25

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

The set’s chief glory is arguably the playing of the musicians of the State Opera Orchestra: every solo line is exquisitely crafted and beautifully integrated, for which Thielemann must of course...

About

Contents and tracklist

Overture (Live)
Track length5:30
Hier finden Euer Gnaden die Mamsell Zerbinetta (Live)
Track length13:14
Ihnen allen hab ich eine plötzliche Anordnung (Live)
Track length9:15
Sie hält ihn für den Todesgott (Live)
Track length8:51
An Ihre Plätze, meine Damen und Herrn! (Live)
Track length1:03
Seien wir wieder gut (Live)
Track length4:13
Overture (Live)
Track length3:34
Schläft sie! (Live)
Track length4:46
Ach! Wo war ich? (Live)
Track length2:38
Ein Schönes war. Hiess Theseus Ariadne (Live)
Track length9:23
Es gibt ein Reich, wo alles rein ist (Live)
Track length5:58
Die Dame gibt mit trübem Sinn sich allzu sehr der Trauer hin (Live)
Track length5:14
Großmächtige Prinzessin (Live)
Track length12:58
Hübsch gepredigt aber tauben Ohren (Live)
Track length8:16
Ein schönes Wunder! (Live)
Track length4:24
Circe, Circe, kannst du mich hören? (Live)
Track length6:14
Theseus! Nein! (Live)
Track length13:49
Gibt es kein Hinüber? (Live)
Track length9:25

Awards and reviews

  • International Classical Music Awards
    2022
    Nominated - Opera

May 2021

The set’s chief glory is arguably the playing of the musicians of the State Opera Orchestra: every solo line is exquisitely crafted and beautifully integrated, for which Thielemann must of course take some credit.
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