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Fake Bach

Luigi Palombi

Fake Bach
Piano arrangements of the great man’s work by composers in the late-19th century, some of them deliciously over-the-top. Palombi’s approach is suitably grandiloquent.

Fake Bach

Luigi Palombi

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Piano arrangements of the great man’s work by composers in the late-19th century, some of them deliciously over-the-top. Palombi’s approach is suitably grandiloquent.

About

The concept behind Fake Bach is to record a recital dedicated to Johann Sebastian Bach featuring piano transcriptions that are daring and scandalous, providing a unique perspective on Bachs music. Encouraged by Franz Liszt and reflecting the progressive Bach Renaissance of the 1800s, these transcriptions date from 1850 to the First World War. The pianist-composer-virtuosos on this album researched the essence of Bachs genius and ended up expressing mostly themselves and their own personalities, dissolving the space between interpreter and their object-of-love composer.

Contents and tracklist

No. 3, Chi in amore ha nemica la sorte (Arr. W. Rummel for Piano)
Track length2:10
III. Largo (Arr. C. Saint-Saëns for Piano)
Track length3:56
IV. Presto (Arr. L. Godowsky for Piano)
Track length1:55
I. Allegro
Track length2:09
II. Adagio
Track length5:02
III. Presto
Track length1:40
I. Prélude (Arr. A. Siloti)
Track length2:03
V. Sarabande (Arr. L. Godowsky for Piano)
Track length5:19
VII. Tempo di bourrée (Arr. C. Saint-Saëns for Piano)
Track length1:47
I. Allegro moderato e maestoso
Track length6:30
II. Adagio
Track length7:35
III. Allegro
Track length6:27
II. Air (Arr. G. Martucci for Piano)
Track length5:03

Awards and reviews

May 2021

Piano arrangements of the great man’s work by composers in the late-19th century, some of them deliciously over-the-top. Palombi’s approach is suitably grandiloquent.
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