Special offer. Saint-Saëns: Sonates & Trio
Renaud Capuçon (violin), Edgar Moreau (cello), Bertrand Chamayou (piano)
Awards:
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Presto Recording of the Week, 11th December 2020
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Record Review, 2nd January 2021
One of the crucial features of all three works is a contrast between light and heavy, neither of them ever given their head for too long. Obviously in this respect the piano possesses a wider...
Special offer. Saint-Saëns: Sonates & Trio
Renaud Capuçon (violin), Edgar Moreau (cello), Bertrand Chamayou (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 11th December 2020
-
Record Review, 2nd January 2021
One of the crucial features of all three works is a contrast between light and heavy, neither of them ever given their head for too long. Obviously in this respect the piano possesses a wider...
About
2021 marks 100 years since the death of Camille Saint-Saëns, one of the acknowledged masters of French music. Pianist Bertrand Chamayou, violinist Renaud Capuçon and cellist Edgar Moreau salute him with this album of three of his finest chamber works: the Violin Sonata No 1, Cello Sonata No 1 and Piano Trio No 2. "These are splendid works," says Bertrand Chamayou, "but only relatively rarely performed and recorded. This is essential French Romantic chamber music and French performers of our generation have a duty to share it with audiences."
Contents and tracklist
Spotlight on this release
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Awards and reviews
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Presto Recording of the Week11th December 2020
-
Record Review2nd January 2021
March 2021
One of the crucial features of all three works is a contrast between light and heavy, neither of them ever given their head for too long. Obviously in this respect the piano possesses a wider range than the two string instruments, and Chamayou takes splendid advantage of this with pearly, unpedalled fingerwork at one extreme and powerful oratory at the other.
February 2021
[The Trio is] the disc’s high point, a beautifully proportioned, wonderfully even-handed performance, done with an understated virtuosity that allows the work’s emotional ambiguities to fully register. Saint-Saëns’s piano-writing is nothing if not exacting here, but where some interpreters can be overemphatic at the start, Chamayou really does play the opening chords très légerement..It’s a superbly engaging, at times challenging interpretation that ranks among the finest.
19th November 2020
The Erato collection of sonatas for violin and for cello, together with the second of the piano trios, all played with a real belief in the music’s quality by violinist Renaud Capuçon, cellist Edgar Moreau and pianist Bertrand Chamayou is a reminder that there are treasures to be unearthed there.