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Charles Koechlin: Les Chants de Nectaire - Third Series

Nicola Woodward (flute)

Charles Koechlin: Les Chants de Nectaire - Third Series
Koechlin’s pieces, none lasting as long as five minutes, and most considerably shorter, are exquisite, wonderfully varied examples of his fondness for monody. Each piece is perfectly distinct...

Charles Koechlin: Les Chants de Nectaire - Third Series

Nicola Woodward (flute)

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$19.00

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Koechlin’s pieces, none lasting as long as five minutes, and most considerably shorter, are exquisite, wonderfully varied examples of his fondness for monody. Each piece is perfectly distinct...

About

The Chants de Nectaire were inspired by the wise old flute player Nectaire, who appears in “La Révolte des Anges” by Anatole France (1914). La Révolte des Anges is often considered the author's most profound novel. It tells the story of the angels who rebelled against God and came down to earth, descending upon Paris disguised as people, to prepare a coup d’état which would re-establish Satan (aka the Angel of Light, the symbol of liberating knowledge…) on the throne of heaven. The tribulations of the angels in the Paris of the Third Republic are a fierce social criticism and mock the Catholic Church. Eventually, Lucifer will give up dethroning God, for had he continued, Lucifer would become God, and lose his influence over liberated thought. “Nectaire raised the flute to his lips. Wielded by dextrous fingers and filled with the breath of creation, the rustic pipe resonated like a silver flute. The music told of Love, Fear, vain Quarrels, triumphant Laughter, the serene clarity of Intelligence and the arrows that pierce the monsters of Ignorance and Hatred. The music also spoke of Joy and Pain bending their twin heads over the Earth and of the desire that creates worlds….” Translated from La Révolte des Anges by Anatole France (1914) . The ninety-six songs, all gems in their own right, are grouped in three books (Op. 198-200) and were composed over four months in 1944. Despite the speed of creation, the quality is incredible, with great attention to detail. Each piece is its own unique sound world, imaginative, sensitive, beautiful and, above all, sincere. This third set is ″ Prières, cortèges et danses pour les Dieux familiers″ - Prayers, processions and dances for the familiar Gods.

Contents and tracklist

Awards and reviews

19th November 2020

Koechlin’s pieces, none lasting as long as five minutes, and most considerably shorter, are exquisite, wonderfully varied examples of his fondness for monody. Each piece is perfectly distinct and shaped, evoking a lost pastoral world that may or may not ever have existed...These performances by Nicola Woodward are intensely rewarding too, though, with all the suppleness, refinement and easy expressiveness such jewelled miniatures need.
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