Special offer. Schubert: Die schöne Müllerin
Ian Bostridge (tenor), Saskia Giorgini (piano)
Awards:
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Presto Editor's Choice, November 2020
Even the first song seems tinged with a premonition of the painful trajectory that will lead to the watery embrace of the brook...What follows isn’t so much an initially wide-eyed voyage of...
Special offer. Schubert: Die schöne Müllerin
Ian Bostridge (tenor), Saskia Giorgini (piano)
Purchase product
Awards:
-
Presto Editor's Choice, November 2020
Even the first song seems tinged with a premonition of the painful trajectory that will lead to the watery embrace of the brook...What follows isn’t so much an initially wide-eyed voyage of...
About
Ian Bostridge continues his exploration of Schubert song cycles on PENTATONE with a recording of Die schöne Müllerin, together with pianist Saskia Giorgini. Die schöne Müllerin (1823) was Schubert’s first song cycle, and simultaneously Bostridge’s first extended introduction to the Lied and all its wonders. Schubert initially conceived the cycle together with poet Wilhelm Müller as a party game among friends, but gradually got captivated by the profundity of this apparently naïve love story. Bostridge is equally fascinated by the way in which this playful, folksy piece gradually transforms into a cosmic lullaby in the final lines of the last song ‘des Baches Wiegenlied’. For pianist Giorgini, the key to - but also the greatest challenge of - interpreting Schubert’s music, and particularly Die schöne Müllerin, lies in the oceanic experience and hypnotic power of repetition. Ian Bostridge is one of the most celebrated tenors and lied interpreters of his generation. His PENTATONE recording of Schubert’s Winterreise (2019) was crowned with the ICMA Vocal Music Award 2020 and received numerous glowing reviews. Saskia Giorgini makes her PENTATONE debut.
Contents and tracklist
Awards and reviews
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Presto Editor's ChoiceNovember 2020
February 2021
Even the first song seems tinged with a premonition of the painful trajectory that will lead to the watery embrace of the brook...What follows isn’t so much an initially wide-eyed voyage of discovery into love, loss and despair, but a series of flashbacks refracted through the prism of a knowledge hardwon. It’s a valid approach, typical of Bostridge’s always-inquisitive psychological antennae...But in the frisson of live performance a few technical issues obtrude, while expressiveness sometimes trespasses into caricature.
November 2020
Bostridge’s miller-lad has beefed up and acquired an edgy assertiveness (occasionally even menace) since his previous recordings of the cycle with Graham Johnson and Mitsuko Uchida...His volatility is matched at every step by Giorgini, whose big-boned playing would perhaps have dwarfed him in earlier days but is just the ticket here.