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Schumann & Brahms: Lieder

Elīna Garanča (mezzo-soprano), Malcolm Martineau (piano)

Schumann & Brahms: Lieder

Awards:

Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you...

Schumann & Brahms: Lieder

Elīna Garanča (mezzo-soprano), Malcolm Martineau (piano)

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Awards:

Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you...

About

This album is both a debut and a proof of musical pedigree. After numerous orchestral albums, for the first time Elīna Garanča devotes an entire disc to Lieder in a phase in which the Latvian mezzo soprano triumphs on stage with heavyweight Verdi and verismo arias while essentially on the verge of her first Wagner role

For her first solo recital album, the mezzo soprano has chosen two composers Schumann and Brahms whose works have been with her for many years

The heart of this album is Robert Schumann’s Frauenliebe und Leben op. 42, a musical setting about devotion to love

In addition to the Schumann cycle, on this record she also dedicates herself to a selection of Brahms songs that express very different emotions and moods. Whether in Liebestreu op. 3 no. 1, Geheimnis op. 71 no. 3 Heimweh II op. 63 no. 8 or Von ewiger Liebe op. 43 no. 1

With pianist Malcolm Martineau as a highly sensitive and experienced accompanist of many years

Contents and tracklist

I. Seit ich ihn gesehen
Track length2:32
II. Er, der Herrlichste von allen
Track length3:15
III. Ich kann's nicht fassen, nicht glauben
Track length1:51
IV. Du Ring an meinem Finger
Track length2:47
V. Helft mir, ihr Schwestern
Track length2:02
VI. Süsser Freund, du blickest
Track length4:31
VII. An meinem Herzen, an meiner Brust
Track length1:21
VIII. Nun hast du mir den ersten Schmerz getan
Track length4:15
I. Liebestreu
Track length2:13
VIII. Heimweh II
Track length3:38
V. Mädchenlied
Track length1:42
III. Liebe und Frühling II
Track length1:57
III. O kühler Wald
Track length1:57
IV. Verzagen
Track length2:52
IV. Sapphische Ode
Track length2:41
IV. O liebliche Wangen
Track length1:50
III. Geheimnis
Track length2:01
II. Wir wandelten
Track length3:03
I. Alte Liebe
Track length2:58
II. Die Mainacht
Track length3:22
I. Von ewiger Liebe
Track length4:32

Spotlight on this release

  • Elīna Garanča on Schumann and Brahms

    18th Nov 2020by Katherine Cooper

    The Latvian mezzo talks to Katherine about her first lieder recording (released earlier this month on Deutsche Grammophon, with Malcolm Martineau), and preparing to make her Wagner debut as Kundry...

Awards and reviews

March 2021

Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you can imagine the heroine as a besotted woman in her mid-40s – and why not? – then you will enjoy this performance.

December 2020

The singing is undoubtedly impressive, the manner redolent of an age where opera and song were less clearly delineated.

10th January 2021

Some mezzos — Ludwig, Baker, Fassbaender — dig deeper into the text, but Garanca’s German is beautifully articulated, her tone easy on the ear. In her Brahms selection — including Mädchenlied, Sapphische Ode and the grand finale, Von ewiger Liebe — she and Martineau are perfect foils, as is Brahms for Schumann.
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