Schumann & Brahms: Lieder
Elīna Garanča (mezzo-soprano), Malcolm Martineau (piano)
Awards:
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Presto Recordings of the Year, Finalist 2020
Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you...
Schumann & Brahms: Lieder
Elīna Garanča (mezzo-soprano), Malcolm Martineau (piano)
Purchase product
Awards:
-
Presto Recordings of the Year, Finalist 2020
Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you...
About
This album is both a debut and a proof of musical pedigree. After numerous orchestral albums, for the first time Elīna Garanča devotes an entire disc to Lieder in a phase in which the Latvian mezzo soprano triumphs on stage with heavyweight Verdi and verismo arias while essentially on the verge of her first Wagner role
For her first solo recital album, the mezzo soprano has chosen two composers Schumann and Brahms whose works have been with her for many years
The heart of this album is Robert Schumann’s Frauenliebe und Leben op. 42, a musical setting about devotion to love
In addition to the Schumann cycle, on this record she also dedicates herself to a selection of Brahms songs that express very different emotions and moods. Whether in Liebestreu op. 3 no. 1, Geheimnis op. 71 no. 3 Heimweh II op. 63 no. 8 or Von ewiger Liebe op. 43 no. 1
With pianist Malcolm Martineau as a highly sensitive and experienced accompanist of many years
Contents and tracklist
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
- Elina Garanča (mezzo-soprano), Malcolm Martineau (piano)
- Recorded: 2020-07-30
- Recording Venue: Meistersaal, Berlin
Spotlight on this release
Awards and reviews
-
Presto Recordings of the YearFinalist 2020
March 2021
Her rich, strong voice brings welcome maturity to Chamisso’s silly, lovestruck protagonist in the opening song, but sounds matron-like in ‘Er, der Herrlichste von allen’ and others. So, if you can imagine the heroine as a besotted woman in her mid-40s – and why not? – then you will enjoy this performance.
December 2020
The singing is undoubtedly impressive, the manner redolent of an age where opera and song were less clearly delineated.
10th January 2021
Some mezzos — Ludwig, Baker, Fassbaender — dig deeper into the text, but Garanca’s German is beautifully articulated, her tone easy on the ear. In her Brahms selection — including Mädchenlied, Sapphische Ode and the grand finale, Von ewiger Liebe — she and Martineau are perfect foils, as is Brahms for Schumann.