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Special offer. La vanità del mondo

Philippe Jaroussky (countertenor), Artaserse

Awards:

Jaroussky’s eternally boyish countertenor might not seem the most obvious vehicle for the Old Testament God’s furious lambasting of Moses in the virtuoso aria from Fortunato Chelleri’s Dio sul...

Special offer. La vanità del mondo

Philippe Jaroussky (countertenor), Artaserse

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This release includes a digital booklet

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Awards:

Jaroussky’s eternally boyish countertenor might not seem the most obvious vehicle for the Old Testament God’s furious lambasting of Moses in the virtuoso aria from Fortunato Chelleri’s Dio sul...

About

Philippe Jaroussky brings his musical and dramatic powers to a programme of music from Italian oratorios of the baroque era, including five arias in world premiere recordings. La vanità del mondo, takes its name from an oratorio by Pietro Torri and among the other composers are Händel, Scarlatti, Vivaldi, Hasse, Fago and Caldara. “I think composers of this period often give of their best when setting the great stories of the Old Testament,” says Jaroussky. “And if oratorio stories are more static than opera, they allow for deeper reflection on the place of mankind in the universe. I think that resonates with particular intensity in 2020, a year of pandemic.”

Contents and tracklist

La Giuditta: "Ardea di fiamma impura" (Nutrice, Oloferne)
Track length1:32
La Giuditta: "Dormi, o fulmine di guerra" (Nutrice)
Track length5:53
"Odi, Mosè mio fido" (Dio, Mosè)
Track length2:28
"Caderà, perirà" (Dio)
Track length3:45
"Bacio l'ombre e le catene" (S. G. Battista)
Track length6:01
Sinfonia
Track length3:46
"Ohimè, d'armi e cavalli" (Messo)
Track length1:08
"Forz'è pur nel proprio sangue" (Messo)
Track length6:20
"Ferma, ascolta e festeggia" (Angelo)
Track length00:35
"Amar senza penar" (Angelo)
Track length3:38
"Sì, solo a te mio dio" (Sant'Agostino)
Track length3:42
"Il rimorso opprime il seno" (Sant'Agostino)
Track length5:43

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    November 2020

November 2020

Jaroussky’s eternally boyish countertenor might not seem the most obvious vehicle for the Old Testament God’s furious lambasting of Moses in the virtuoso aria from Fortunato Chelleri’s Dio sul Sinai, but the authority of his singing (and of Artaserse’s incisive instrumentalists) ultimately sweeps all before it.
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