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Bela Bartók: String Quartets Nos. 1, 3 & 5

Jerusalem Quartet

Bela Bartók: String Quartets Nos. 1, 3 & 5
[No. 1] opens in a state of lonely desolation, and the feeling of suspense is superbly captured by the Jerusalems, who also find the earthy folksiness to remind us that Bartók’s language is...

Bela Bartók: String Quartets Nos. 1, 3 & 5

Jerusalem Quartet

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This release includes a digital booklet

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[No. 1] opens in a state of lonely desolation, and the feeling of suspense is superbly captured by the Jerusalems, who also find the earthy folksiness to remind us that Bartók’s language is...

About

From the opening funeral dirge of the Quartet No.1 to the incandescent frenzy that concludes the fifth, this disc offers a genuine panorama of the Bartókian universe. It's a world unto itself, constantly stamped with the heritage of Hungarian folklore so dear to the composer. Two years after a first volume devoted to the even-numbered works (Nos. 2, 4 and 6), the musicians of the Jerusalem Quartet expertly complete their recording of a key cycle of modern chamber music, a musical saga drawn on the scale of a lifetime.

Contents and tracklist

I. Lento
Track length8:40
II. Allegretto
Track length10:23
III. Allegro vivace
Track length10:48
I. Prima parte. Moderato
Track length4:35
II. Seconda parte. Allegro
Track length5:48
III. Ricapitulazione della prima parte. Moderato
Track length3:02
IV. Coda. Allegro molto
Track length2:07
I. Allegro
Track length7:59
II. Adagio molto
Track length5:55
III. Scherzo. Alla bulgarese
Track length5:21
IV. Andante
Track length5:13
V. Finale. Allegro vivace - Presto
Track length7:33

Awards and reviews

February 2021

[No. 1] opens in a state of lonely desolation, and the feeling of suspense is superbly captured by the Jerusalems, who also find the earthy folksiness to remind us that Bartók’s language is rooted in multi-ethnic Transylvania. Equally impressive in the Fifth…they play the finale with whirling virtuosity…They also meet all the technical innovations of the Third, but this is where my slight reservation creeps in: such highly cultivated playing as the Jerusalems produce perhaps renders the work’s strangeness not quite mesmerising enough.
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