Triadic Memories is about that reality, the acoustic space created by the piano’s strings and soundboard, and in Judith Wegmann’s recording that space is within a magnificent Bösendorfer 280VC piano. ‘Triadic’ music that is not triadic; ‘memories’ (repetitions) that are not memories. This is a contradictory music in which nothing is quite as we remember it, music whose only subject is its resonance, first in the piano and then in our consciousness. – Christopher Fox